Simon's Movie Reviews

Despite being a commercial failure when it was first released, Cameron Crowe’s Almost Famous (2000) is the kind of movie that can easily please every audience member with its humour and performances. That being said you might find a lot more to enjoy or indentify with if you are either a fan of rock music or have an interest in journalism because the movie focuses on a young reporter imbedded with an up-and-coming rock band in the early 1970s. Since the movie is based on Crowe’s own experiences touring with big name bands in his youth it gives a very accurate behind the scenes look at that unique, entertaining, and sometimes damaging world. The first time I tried to watch the movie was during movie night when I was still living in my mom’s place and it was my older brother’s turn to pick the movie. Unfortunately this was still the days of renting DVDs and some nimrod had scratched the disc so about ten minutes into the movie we gave up because the image kept screwing up. Fast fo...

There is a lot of drama to be pumped out of the oil rush, pardon the pun, but add in the direction of P.T Anderson and the usual method performance of Daniel Day-Lewis and you’ve got yourself a winner. There Will Be Blood (2007) is somewhat of an odd beast, with razor sharp music by Johnny Greenwood of Radiohead, scenery chewing performances, and themes about greed and religion. On paper the story and historical setting might seem a tad dull for some people, but the end result is surprisingly entertaining in large part thanks to Anderson’s screenplay that provides one of the best quotes of the last ten years: “I drink your milkshake!” This was actually one of my first Daniel Day-Lewis movies, despite the fact he has delivered plenty of award-winning performances throughout his career. Upon hearing one of his many great monologues in the trailer I was immediately hooked. Who was this guy and how was he speaking like that? He came off part psychopath, part businessman. How odd ho...

Given that throughout her career Meryl Streep has been nominated for an Oscar 19 times, it would be a tall order to narrow down her best performances. However it would not be too much of a challenge to see the three films for which she has actually won. Her second win in her career was for Sophie’s Choice (1982), a searing drama whose title has become synonymous with making an impossible decision. Also noteworthy, it is the cinematic debut of Kevin Kline who delivers an equally powerful, but much more energetic performance. For years I had heard the expression “Sophie’s Choice” in pop culture as a way to express a decision with no good outcome without fully understanding the reference. Last January the movie became available on Netflix and the answer to the question “what is Sophie’s Choice?” was revealed to me towards the end of Pakula’s and it is a choice that only truly evil people could give. If by any chance you have not yet seen the movie or read the book on which it is ba...

Alfred Hitchcock’s Notorious (1946) has many of the master director’s signature elements: spies, lies, a handsome leading man, a domineering mother, and of course a MacGuffin. As it is set after World War II the villains are logically former Nazis, but the plot is so tense in many scenes that it remains an effective thriller to this day. It also bears a huge influence on John Woo’s Mission Impossible 2 , which retains plot elements and similar dialogue, but of course has more explosions than all of Hitchcock’s films put together. Notorious is so well-made it can be studies in film classes, which is exactly what I did while taking a course on Hollywood Cinema 1930-1960 during the summer of 2009 at the University of British Columbia. As this is Hitchcock we are talking about here, there are subtler things to analyze than explosions in Notorious , no offense to the skills of Mr. John Woo. Famously there is a kissing scene between stars Cary Grant and Ingrid Bergman that seemingly las...

For a realistic look at police work in the United States nowadays you should look no further than HBO’s The Wire . In the 1970’s TV was not what it is today and movies was where directors like William Friedkin got to show the state of the never-ending war on drugs. In The French Connection (1971) Friedkin illustrates what life is for two hard working narcotics detective trying to take down a major drug operation that reaches all the way to southern France. It offers a realistic look at a very difficult investigation, but it also has one hell of a car chase. The car chase was major reason why I decide to add The French Connection to my ever-growing collection of movies when I spotted it at HMV about ten years ago. Plus, it was one of those two for $20 deals so why not get a classic? Having grown up in the 90s my idea of a cop movie was the Lethal Weapon series in which for every interrogation there are five shootouts and as many car chases. Consequently I found Friedkin’s movie t...

The words “a Ridley Scott film” can mean a lot of things: a science-fiction film, a thriller, or a straight-up drama. One genre in which he seems to be quite at ease is the swords and sandals epic, and his most successful entry in that genre has been his Oscar-winning Gladiator (2000) with his frequent collaborator Russell Crowe. The story is filled with representations of corruption in politics, how entertainment can be used to distract or win the masses, but mostly it is remembered for the fights on the sand of the arena. This is best encompassed by the hero’s signature scream to the audience: “Are you not entertained?” Most people watching this movie for the first time might probably link it to other similar epics, but the first thing that popped into my mind and the mind of my parents and brother when we first watched it was, “this sounds an awful lot like the French comic book Astérix.” The opening describes how at this point in history the Roman Empire has vanquished all of...

War movies make for great entertainment, but war in real life is horrible. Other than maybe David Ayer’s Fury , no movie proves this point better than Steven Spielberg’s Saving Private Ryan (1998), which portrayed the horror of World War II so accurately veterans walked out of the theatres because they felt it was too realistic. Prior to this movie Hollywood had made tales of that war filled heroism, humour, and a moderate level of violence. Spielberg’s film may somewhat overdo it with the American heroism, but it certainly doesn’t avoid the violence, and the laughs are very rare. Spielberg has often been the king of summer movies, and Saving Private Ryan was another major hit for him in the summer of 1998. I went to see it in theatres with my parents during a vacation in Quebec City even though this was clearly not a family movie. I believe I was around 12 years old at the time, so there are plenty of images that became seared in my brain, particularly the early carnage of Omah...