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Empire Magazine (2008) Greatest Movies List - #73: Eternal Sunshine of the Spotless Mind

Eternal Sunshine of the Spotless Mind (2004) has a clever idea for a plot that is executed by a rather oddball crew of artists. In the director’s chair you have Michel Gondry, a French filmmaker whose creativity is always recognisable no matter the project. On writing duties you have Charlie Kaufman, known for writing screenplays that seem to take on a life of their own. Then in front of the camera you have Jim Carrey in serious mode, which doesn’t always work, but the results are always interesting.
When the movie came out I was still used to the idea of Jim Carrey as a manic comedian since I grew up watching him in movies like Ace Ventura and The Mask. When he is in a drama you almost always expect him to eventually burst out and talk out of his butt. That might be why Eternal Sunshine of the Spotless Mind is not one of his biggest box-office successes, but even 13 years ago I could see this is a very smart movie dealing with deep ideas. Its characters are all convinced that in order…
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Empire Magazine (2008) Greatest Movies List - #452: Unbreakable

Unbreakable (2000) is a movie that is becoming more and more relevant as time goes by. For one thing it is one of the last good movies M. Night Shyamalan made before his career took a pretty steep nose-dive. For another it deals with the idea of super heroes and villains in a world where none of those exist and yet and approaches these concepts while steeped in realism. Nowadays there are at least five super hero movies that come out every year, but Unbreakable still feels fresh and original despite the fact two of its actors are now part of the Marvel and DC movie universe.
Early on in his career Shyamalan became known for the twist endings in his movies, and Unbreakable is no exception. Unfortunately it took me 15 years to finally see the whole thing on Netflix and by then the ending had been spoiled just like with The Sixth Sense. Then the same thing happened again this year when Shyamalan released Split in which SPOILER ALERT, Bruce Willis has a cameo at the end. When the next sequ…

Empire Magazine (2008) Greatest Movies List - #76: Manhattan

Woody Allen: a filmmaker many of us have mixed feelings about. I feel that’s how most of my reviews about his films are going to start. He has written and directed very funny movies, he certainly knows how to shoot in New York City, and apparently he’s a pretty good jazz player. He is also a guy who married the adopted daughter of his ex-wife, has been accused of sexual molestation, and in his movies he often plays a character who dates women who are much younger than he is. All of the good and the bad traits of Allen are on display in Manhattan (1979), one of his most acclaimed movies.
I liked many things about this movie when I first saw it. I enjoyed the use of black and white cinematography, the opening montage in which Allen lauds his home turf of NYC, the use of jazz music, and the cast of characters. However I was also uncomfortable with the fact that Isaac Mortimer Davis, the 40-year-old TV writer played by Allen, is in a relationship with Tracy (Mariel Hemmingway) a 17-year-ol…

Empire Magazine (2008) Greatest Movies List - #455: Top Gun

Top Gun (1986) is pure 1980s American gun-ho patriotism as well as an unofficial recruitment ad for that country’s air force. It features Tom Cruise in the nascent stages of his career as the world’s biggest movie star, U.S pilots flipping off those pesky Russians in the air, and the chart-topping single by Kenny Loggins, Danger Zone. Many aspects of this movie are now dated, but on first viewing it is hard not to be pulled in by the adrenaline-pumping ride.
For many people this movie was a defining moment in pop culture, leading viewers to either adopt the nickname “Goose” or “Maverick,” or go a step further and actually join the air force. That was not the case for me since I was born the same year Top Gun came out, and I don’t think I was ever its specific target audience anyway. When I think of Anthony Edwards I don’t think of him flying fighter jets, I think of him operating on patients as Doctor Greene on E.R. However over the years I kept seeing the cultural influence of Top Gun

Empire Magazine (2008) Greatest Movies List - #77: Spartacus

Spartacus (1960) is an interesting movie in Stanley Kubrick's filmography because it doesn’t really feel like a Stanley Kubrick movie. I don’t exactly know why, but his signature style doesn’t seem to be present unlike in classics such as The Shining, A Clockwork Orange, or Dr. Strangelove. It does however feel like one of those big sword-and-sandals epics in which you have British thespians acting as Roman politicians with the occasional big battle sequence. In that respect it is spectacular and features Kirk Douglas at his best as the titular hero.
The story of the rebel slave Spartacus has inspired a bloody and sexy TV series (so far unseen by me, but I hear it’s great) and the story behind how it was made is one of those cases of life imitating art. The Bryan Cranston film Trumbo tells how screenwriter Dalton Trumbo was blacklisted in Hollywood during the 1950s for his communist beliefs and had to rebel against the system by writing screenplays for cheap movies under a fake nam…

Empire Magazine (2008) Greatest Movies List - #78: Rosemary's Baby

Rosemary’s Baby (1968) is that special kind of horror film that can get under your skin while spilling very little blood. It has no masked killer that jumps out of a corner, no monster chasing characters down dark corridors, and no armies of zombies lumbering the streets. Yet it is profoundly unsettling, not only because it deals with a satanic cult, but because the story’s protagonist and her unborn child are unwilling participants in that cult’s scheme.
Watching the film on Halloween two years ago it occurred to me this story is probably twice as scary for women. Having children is already a nerve-wracking prospect, but being tricked into having the devil’s spawn against your will: that is nightmarish on a whole other level. However director Roman Polanski takes his time in revealing the full extent of this nightmare, at times even suggesting all of the protagonist’s fears might just be paranoia. It takes a while for the full extent of the horror to be revealed, but it is worth the …

Empire Magazine (2008) Greatest Movies List - #79: The Thin Red Line

I once saw an interview in which Christopher Plummer said that what Terrence Malick needs is a writer. He was referring to his experience shooting The New World, which saw his role considerably reduced. The same happened to a much greater extent with Malick’s war movie The Thin Red Line (1998), which saw the screen time of many movie stars reduced to mere minutes amid a 170-minute running time. However you have to hand it to the guy: he knows how to make anything look beautiful, including the carnage of war.
Malick’s movie came out the same year as Saving Private Ryan, so I think that year I had my fill of ultra violent war films and was no too interested in seeing it. Sixteen years later I finally caught up to it on Netflix, but in hindsight the big screen might have been a better option since this is a very visual story. The plot is pretty loose, following one American soldier and sometimes some of his brothers in arms as they make their way through World War II in the Pacific theat…