Skip to main content

Posts

Showing posts from 2020

Empire Magazine (2008) Greatest Movies List - #190: Big

  Tom Hanks is often described as America’s dad because of his ability to portray everyday characters with a strong moral center and captivating gravitas. Yet all dads were once children and in one of Hanks’ earliest hits he played a child who wakes up with a grown-up’s body. This concept had been done before and has been done plenty of times since, but Big (1988) directed by Penny Marshal is one of the best executions of such a concept. This being 2020 I am still stuck indoors for most weekends with a lot of time on my hands and access to thousands of hours of content. Disney is on its way to owning every movie in existence, which allowed me to finally watch Big in its entirety. I had seen bits of it before on TV, but now I got to cross off yet another movie from my list during this quarantine year. For anyone else stuck indoors with no way out, you could do a lot worse to spend your time waiting for things to go back to normal. Lots of things have changed since Big came out i

Empire Magazine (2008) Greatest Movies List - #111: Fitzcarraldo

  In the Greek myth of Sisyphus, a man is punished by being forced to roll a boulder up a hill only for the boulder to always roll back down whenever he would near the top, thus illustrating futility. In Werner Herzog’s Fitzcarraldo (1982) the main character shows the Greeks have nothing on him as he attempts to roll not a boulder but an entire steamer up a hill. As if that wasn’t impressive enough, the hill is located in the Amazon jungle, meaning it is covered with plenty of firmly rooted trees. This movie made me think I lack ambition. This was my second viewing of a Werner Herzog movie in the past few weeks, the previous one being The Enigma of Kaspar Hauser . That one focused on one man assimilating into society after growing up in isolation, whereas Fitzcarraldo tells the incredible tale of a man who practically wages war against a jungle. You can’t say Werner Herzog is afraid to scale up, and I was certainly impressed by the effort he put into making this movie. I was also i