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Showing posts from June, 2019

Empire Magazine (2008) Greatest Movies List - #75: A Matter of Life and Death

In Dan Brown's most recent book an atheist states religion had to be invented because humanity needs to believe in an organized system and not just random chaos in life. The 1946 film A Matter of Life and Death by British filmmakers Michael Powell and Emeric Pressburger not only imagines an organized system for the afterlife, but one so organized it has bureaucrats and a court of appeal. I generally lean more towards atheism, yet I found this film to be utterly charming, beautiful and visually striking. If the idea of an afterlife makes you laugh, you can still enjoy the movie as a beautiful work of art. What’s more, it’s free art since it is available in the public domain at archive.org. It was an interesting discovery for me as I was unfamiliar with the work of the two directors and only knew two of the actors in the entire cast. The concept of the story though is something that gives me a great deal of thought. The word heaven is never explicitly used, but rather

Empire Magazine (2008) Greatest Movies List - #212: M

I recently found out most movies about serial killers and police procedural owe a lot to a black and white German movie from 1931. M , directed by iconic director Fritz Lang, has all the classic elements to be found in modern-day thrillers. There is the sinister killer lurking in the shadows, the question as to whether the killer is insane, panic in the streets, the hunt for vital pieces of evidence, and politicians breathing down the necks of investigators because results are not happening fast enough. As old as the movie may be, it remains a superb piece of film making that is sadly still very relevant today. This movie is available online completely free, and I don't mean free as in on pirate bay or other piracy websites. It is a piece of cultural history, so the Open Culture website has a 109-minute restored version available for viewing along with information about the film's history. Most of it was unknown to me, although I was familiar with the director Fritz