Skip to main content

Empire Magazine (2008) Greatest Movies List - #72: 12 Angry Men

12 Angry Men (1957) is another example of how you can make one hell of a movie with a small cast, an enclosed space and a director who knows how to work his cameras. Jury duty is something most people try to avoid, but as directed by Sydney Lumet it becomes a fascinating morality tale as twelve strangers debate the life of a young man accused of murder. Almost entirely shot within one room and with a brisk 96-minute running time it is a timeless classic.

My first viewing was on a DVD rental, so obviously this was a couple of years before Netflix. The DVD extras are definitely worth it for a retrospective on the cast of twelve actors, the film’s legacy, and the opinion of legal scholars. Like all movies it has its flaws, and apparently the most glaring was the judge’s blasé attitude given the fact this is a murder trial. That flaw aside, this is definitely a movie worth seeing with someone else because unlike many movies that come out today it makes you think while you are it and a long time afterwards.

The scary thing is that initially almost none of the jurors in the New York City courthouse feel like doing any thinking at all. In their minds this is an open and shut case of an 18-year-old kid from a slum accused of murdering his father with a knife. They are heading towards a guilty verdict until Juror 8 (Henry Fonda) chooses a not guilty plea. He has doubts about the evidence that was presented and believes they all should take a closer look before making their final decision. This irritates Juror 7 (Jack Warden) who is eager to get to a baseball game and Juror 10 (Ed Begley) who shows prejudice towards people from slums.

Over time Juror 8 begins to swing some of the jurors his way by actually looking at the facts (remember those?). For one thing the prosecution argued the murder weapon is a very rare knife, yet Juror 8 managed to bring an almost exact copy inside the jury room. Then there is the fact the accused had a spotty memory when asked to recall events that occurred a few days prior. However Juror 8 asks a fellow juror to recall specific details from the past few days of his life and things get a little foggy. Try it; it’s true no matter your age.  

As the deliberations carry on the jurors (Martin Balsam, John Fiedler, Lee J. Cobb, E. G Marshall, Jack Klugman, Joseph Sweeney, George Voskovec and Robert Webber) begin to get more and more agitated as their opinions and prejudices start to bubble up. They are all stuck inside this one room with each other and it begins to dawn on them that a man’s life is on the line, baseball games be damned. They are supposed to be impartial, but it becomes clear some of jurors have preconceived opinions about the accused based on his origins, which of course angers some of the other jurors.

Given the one location you would think there wouldn’t be much for the camera crew to do, but Sydney Lumet and his crew managed to get creative. Initially the cameras are above eye-level and mounted with wide-angle lenses. However as time goes by and the debates become more and more intense Lumet shoots from a lower angle and the jurors all get close-ups in order to increase the sense of claustrophobia.

Initially this story was a play by Reginald Rose and after Lumet’s great film it has been adapted again for television and in other countries as well. I am all for that because as good as Lumet’s film is, the cast and even the accused are rather vanilla. It would be complicated for the title if a woman was added to the jury, but nowadays it would make sense. Better yet, instead of a young white man from a slum, have him be black, Hispanic, or even a member of the LGBTQ community, and also have the jurors be just as diverse. Or if you really want to have a fiery debate, make a version of this story in which at least one member of the jury voted for Donald Trump.


My takeaway from this story is the importance of debating the facts and deciding beyond a reasonable doubt whether or not the accused is guilty. As jurors they are not there to decide if he is “innocent.” Nobody is innocent, but given that he is accused of murder and could get the death penalty they need to be 100 per cent sure of his guilt. Think about that if you are ever inside a courtroom either as accused or juror.

Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #85: Blue Velvet

Exactly how do you describe a David Lynch movie? He is one of the few directors whose style is so distinctive that his last name has become an adjective. According to Urban Dictionary, the definition of Lynchian is: “having the same balance between the macabre and the mundane found in the works of filmmaker David Lynch.” To see a prime example of that adjective film lovers need look no further than Lynch’s Blue Velvet (1986), which does indeed begin in the mundane before slowly sinking in macabre violence. My first introduction to the world of David Lynch was through his ground breaking, but unfortunately interrupted, early 1990s TV series Twin Peaks . This was one of the first television shows to grab viewers with a series-long mystery: who killed Laura Palmer? A mix of soap opera, police procedural, and the supernatural, it is a unique show that showed the darkness hidden in suburbia and remains influential to this day. Featuring Kyle MacLachlan as an FBI investigator with a l...

Empire Magazine (2008) Greatest Movies List - #147: Notorious

Alfred Hitchcock’s Notorious (1946) has many of the master director’s signature elements: spies, lies, a handsome leading man, a domineering mother, and of course a MacGuffin. As it is set after World War II the villains are logically former Nazis, but the plot is so tense in many scenes that it remains an effective thriller to this day. It also bears a huge influence on John Woo’s Mission Impossible 2 , which retains plot elements and similar dialogue, but of course has more explosions than all of Hitchcock’s films put together. Notorious is so well-made it can be studies in film classes, which is exactly what I did while taking a course on Hollywood Cinema 1930-1960 during the summer of 2009 at the University of British Columbia. As this is Hitchcock we are talking about here, there are subtler things to analyze than explosions in Notorious , no offense to the skills of Mr. John Woo. Famously there is a kissing scene between stars Cary Grant and Ingrid Bergman that seemingly las...

Empire Magazine (2008) Greatest Movies List - #102: The Hustler

Robert Rossen’s The Hustler (1961) is proof that any sport can be used for good cinematic drama even if that sport is pool. Although this is not a game that involves a massive sport arena and bloody boxing gloves, things can get dramatically interesting if the monetary stakes are high, and visually arresting if the filmmakers shoot from the right angle. It also helps a lot if the man putting his money on the table is played by a young Paul Newman in a career-breaking role. Prior to watching the film I had a vague idea of the meaning of the word “hustling” and a rather passive interest in the game of pool. It’s a fun game to play if you are having a couple of nachos and chicken wings on a Friday evening with friends, but I didn’t see it as a spectator sport. Watching The Hustler in the classics section of Netflix two years ago was a bit of an education since it shows the sport as a way of life for some people, and a huge source of revenue for big time gamblers. Newman star as...