Skip to main content

Empire Magazine Greatest Movies List - #402: Little Miss Sunshine


With the success of the show “Toddlers and Tiaras” I now have even more appreciation for the 2006 film “Little Miss Sunshine.” It follows a dysfunctional family travelling from New Mexico to California so that their seven-year-old daughter Olive (Abigail Breslin) can participate in a beauty pageant. My favourite scene is when Uncle Frank (Steve Carell) and older brother Dwayne (Paul Dano) step into the pageant hall. You can actually count up to seven seconds before the two of them walk out of that room. They’re not saying it, but you can tell they’re thinking it: “this is wrong and we can’t let them do this to Olive.”

A major success at the 2006 Sundance Film Festival, “Little Miss Sunshine” had a lot of good buzz by the time it expanded to major theatres late in the summer. At that time I was just beginning to learn about different film festivals so having read the good reviews, I was curious to see the movie. I saw it while living at Sherbrooke University, at a theatre that showed both independent and big budget movies. It was great seeing with an audience, but I wish I had actually been at Sundance just to hear people’s reaction to Olive’s dance and see which company was going to buy the distribution rights. I should probably add that to my bucket list: attend Sundance Film Festival.

Before the movie gets into gear, we meet the cast, the Hoover family. Sheryl (Toni Colette) is the mother whose job, like most mothers, is to keep the family together. Her husband Richard (Greg Kinnear) is a motivational speaker/life coach, who has yet to hit it big with his business, if you can call what he does a business. Their older son Dwayne has taken a vow of silence and dreams of becoming an air-force pilot, probably so he can fly away from his family. Even more depressing is Sheryl’s brother Frank, who moves in after a failed suicide attempt.

The happiest person in the family is Olive, who dreams of becoming a beauty queen. Her trainer is her grandpa Edwin (Alan Arkin), a foul-mouthed World War II veteran who has a taste for pornography and heroin. His reasoning is you would have to be crazy to do drugs when you’re young, but you would have to be crazy not to do them when you’re old. I’ve been to the geriatric ward at a hospital, and I wonder if he has a point. Either way, Edwin’s training is about to be put to the test when Sheryl gets a call telling her Olive has qualified for the Little Miss Sunshine beauty contest in Redondo Beach, California.

Unfortunately the contest is in two days, so their last minute plan is to pack the whole Hoover clan in their yellow Volkswagen T2 Microbus. Their bus is almost a character on its own, with its little quirks. When it breaks down, a surprising helpful garage employee tells them a cheap solution would be to push the bus to a certain speed and then hit the gas. Later the horn gets jammed, which can attract a lot of unwanted attention when driving on the highway.

Along the way the family runs into various obstacles that are more emotional than physical. Richard realises his plan for his motivational speaking business may go up in smoke. Frank, whose mood slowly improves, runs into the reason for his suicide attempt. Even Dwayne, who limits his conversation to scribbled notes, reaches a boiling point when he realizes he dream of joining the air force may never take off.

Yet this is still a comedy, and a pretty uplifting one. Despite all of their problems, this family sticks together so that Olive can make it to that contest. Once they do, you realize Olive doesn’t fit in with the rest of the contestants. Whereas Olive is a little but pudgy, all of the contestants are thin, covered in make-up, with shaved legs and sprayed tans. By these standards, she seems way out of their leagues, but when her music starts and she shows what Edwin taught her…my jaw dropped.

Directors Jonathan Dayton and Valeris Faris show us characters that are not winning in life, but they are trying to make the best of it and that should count for something. Screenwriter Michael Arndt said he was inspired by a quote from then governor Arnold Schwarzenegger who told a group of high school students how he despises losers. With their crumbling business ideas, failed dreams, and unconventional looks, the Hoovers may not live up to the standards of “winners,” but that’s not going to stop them, or their yellow bus. 

Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #97: Reservoir Dogs

One of the most surprising things about Quentin Tarantino’s debut film Reservoir Dogs (1992) is the fact that it has never been adapted for the stage. They will make a show out of Beauty and the Beast , Monty Python and the Holy Grail , and even Spider-Man , but somehow a movie in which most of the action takes place in a warehouse has never made it to Broadway? In any case, this was the movie that announced the arrival of the insatiable film fan that could regurgitate everything he had learned watching movies at the video store into stories filled with sudden bursts of violence, sharp-dressed characters, awesome soundtracks, and crackling dialogue.   Since this violent piece of American cinema came out at a time when I was still learning basic math in elementary school there was no way I would watch this on the big screen. However as the years went by it became a cult classic, and even a classic of the independent movies genre, and was re-released on special edition DVD for its

Empire Magazine (2008) Greatest Movies List - #49: Evil Dead 2

What do you get when you mix buckets of fake blood, creative camera operators, the humour of the Three Stooges, and a man with the most recognizable chin in Hollywood? You get Evil Dead II (1987), the horror classic that somehow manages to remake the original in the first 15 minutes and yet feel entirely original. Even though it is mostly set in a cabin in the woods, that staple location in the horror genre, it feels like a roller coaster ride. This is especially true once the film's hero, the scrappy Ash Williams, embraces the madness by arming himself with a sawed-off shotgun and attaching a chainsaw where his hand used to be. "Groovy" indeed. This gore-soaked franchise has had a long run, starting off with one low-budget movie directed by a young Sam Raimi and then growing into two sequels, a remake, comic books and a TV show with three seasons. My starting point was the third entry, Army of Darkness, which moves the action to the Middle Ages with the same

Empire Magazine (2008) Greatest Movies List - #102: The Hustler

Robert Rossen’s The Hustler (1961) is proof that any sport can be used for good cinematic drama even if that sport is pool. Although this is not a game that involves a massive sport arena and bloody boxing gloves, things can get dramatically interesting if the monetary stakes are high, and visually arresting if the filmmakers shoot from the right angle. It also helps a lot if the man putting his money on the table is played by a young Paul Newman in a career-breaking role. Prior to watching the film I had a vague idea of the meaning of the word “hustling” and a rather passive interest in the game of pool. It’s a fun game to play if you are having a couple of nachos and chicken wings on a Friday evening with friends, but I didn’t see it as a spectator sport. Watching The Hustler in the classics section of Netflix two years ago was a bit of an education since it shows the sport as a way of life for some people, and a huge source of revenue for big time gamblers. Newman star as