Skip to main content

Prince of Persia: The Sands of Time


The title of Prince of Persia: The Sands of Time is similarly structured to that of the Pirates of the Caribbean franchise, though sadly not quite as entertaining. Still, it makes for a decent enough adventure movie set in the scorching desert featuring dastardly villains, a princess in peril and a sword wielding hero.

Set in a time when Iraq and Iran were called Persia, the action begins when adopted Prince Dastan (Jake Gyllenhaal) and his two brothers are about to invade the sacred city of Alamut that may or may not be providing dangerous weapons to the enemies of the Persian empire (sound familiar?). Dastan is an orphan from the streets who was adopted by the king (Ronald Pickup) who was impressed by the boys Parkour abilities while fending off his guards. His brothers Garsiv (Toby Kebbell) and Tus (Richard Coyle) accept him although sometimes disagree with his brash ways. Accompanying the three brothers on their journey is the family uncle Nizam (Ben Kingsley). Here is a clue to finding the villain really quickly in a Disney adventure movie. If there is a bald character who sports a goatee, a lot of eye-liner and is played by Sir Ben Kingsley, BINGO!

Anyhow, the family has a meeting, decide to invade the city in the name of the Persian empire, and by morning you have a great battle involving spear-throwing, flames, sword fights, lots of CG soldiers, and Prince Dastan jumping all over the walls in order to open a gate. It’s hard to tell when it’s Gyllenhaal and when it’s a stuntman, but he looks tanned and in shape so you could say he looks the part. Quick question: why is it that when a Hollywood movie is set in Persia hundreds of years ago, the actors always need to have British accents? Shouldn’t they have, I don’t know, Persian accents? When Americans play Russians, they speak English with a Russian accent don’t they? Who comes up with these rules?

The accent issue aside, once Alamut has been taken over, it would seem there are no weapons to be found and the family meets Princess Tamina (Gemma Arterton) who is offended that a bunch of “Persian illiterates” have taken over her city and wish her to be married to one of the brothers. Before nuptials can take place, the king is murdered by a poisoned robe, Dastan is framed for the crime and forced to go on the run with the princess. A poisoned robe: that’s new. Sounds like a rejected assassination idea that the CIA would have come up when they were out of imagination.

After having escaped his own soldiers in order to hide in the desert with the princess, Dastan figures out that the true reason for the invasion is a magic dagger that has the power to turn back time for whoever presses the big button on the hilt, which contains the mythical Sands of Time. Dastan has to use it a couple of times to get the idea, but anybody who has ever played a videogame will know what it’s all about. You press it, and you get a second turn. Simple.

The problem for the whole world is that if the power of the blade is misused, it just might destroy all life as we know it. So from that point on Dastan and the princess are travelling across the desert in order to prove Dastan’s innocence and protect the dagger. Along the way they encounter Sheik Amar (Alfred Molina) an ostrich race promoter who has an expert knife thrower for a bodyguard (Steve Toussaint). The Sheik’s anti-taxing stand and one-liners provide the movie with much-needed comic relief, although you get some of that with the bickering that occurs between Dastan and the princess.

They say that in romantic comedies, conflicts create the relationship. It’s hard to come up with a greater conflict for a couple than for the man to have invaded the woman’s city. Now imagine that couple having to share a camel through the scorching desert for days. Good times.

Some of the best battles occur when Dastan has to fight the Hassansins, expert murderers who each have their own special weapons including snakes, double-bladed swords, and metallic whips. They also seem to have the ability to travel with their own little twisters, which is a good stealth tactic, but doesn’t that mean they can be seen from far away? It would seem kind of weird to see five or six twisters travelling side by side and heading in the same direction.

Overall, the movie succeeds. Mike Newell, the director of Harry Potter and the Goblet of Fire, certainly knows his way around a big budget franchise. He has made a fun, light and entertaining movie, but Prince Dastan is no Jack Sparrow. There could have been more perilous chases, more of Alfred Molina’s funny Sheik, and no offense to Ben Kingsley, but I like villains who are bit more eccentric. Captain Barbosa’s mad cackling was a highlight of the Pirates franchise. Kingsley is just average as far as movie villains go. It’s not enough to be bald and have goatee.

B 

Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #85: Blue Velvet

Exactly how do you describe a David Lynch movie? He is one of the few directors whose style is so distinctive that his last name has become an adjective. According to Urban Dictionary, the definition of Lynchian is: “having the same balance between the macabre and the mundane found in the works of filmmaker David Lynch.” To see a prime example of that adjective film lovers need look no further than Lynch’s Blue Velvet (1986), which does indeed begin in the mundane before slowly sinking in macabre violence. My first introduction to the world of David Lynch was through his ground breaking, but unfortunately interrupted, early 1990s TV series Twin Peaks . This was one of the first television shows to grab viewers with a series-long mystery: who killed Laura Palmer? A mix of soap opera, police procedural, and the supernatural, it is a unique show that showed the darkness hidden in suburbia and remains influential to this day. Featuring Kyle MacLachlan as an FBI investigator with a l...

Empire Magazine (2008) Greatest Movies List - #147: Notorious

Alfred Hitchcock’s Notorious (1946) has many of the master director’s signature elements: spies, lies, a handsome leading man, a domineering mother, and of course a MacGuffin. As it is set after World War II the villains are logically former Nazis, but the plot is so tense in many scenes that it remains an effective thriller to this day. It also bears a huge influence on John Woo’s Mission Impossible 2 , which retains plot elements and similar dialogue, but of course has more explosions than all of Hitchcock’s films put together. Notorious is so well-made it can be studies in film classes, which is exactly what I did while taking a course on Hollywood Cinema 1930-1960 during the summer of 2009 at the University of British Columbia. As this is Hitchcock we are talking about here, there are subtler things to analyze than explosions in Notorious , no offense to the skills of Mr. John Woo. Famously there is a kissing scene between stars Cary Grant and Ingrid Bergman that seemingly las...

Empire Magazine (2008) Greatest Movies List - #102: The Hustler

Robert Rossen’s The Hustler (1961) is proof that any sport can be used for good cinematic drama even if that sport is pool. Although this is not a game that involves a massive sport arena and bloody boxing gloves, things can get dramatically interesting if the monetary stakes are high, and visually arresting if the filmmakers shoot from the right angle. It also helps a lot if the man putting his money on the table is played by a young Paul Newman in a career-breaking role. Prior to watching the film I had a vague idea of the meaning of the word “hustling” and a rather passive interest in the game of pool. It’s a fun game to play if you are having a couple of nachos and chicken wings on a Friday evening with friends, but I didn’t see it as a spectator sport. Watching The Hustler in the classics section of Netflix two years ago was a bit of an education since it shows the sport as a way of life for some people, and a huge source of revenue for big time gamblers. Newman star as...