Skip to main content

Shrek Forever After


The theory is that Shrek Forever After is to be the last movie starring everyone’s favourite green ogre voiced by Mike Myers. The title sounds pretty finale, but then again there are five movies called Final Destination, so you know. Still, whether or not this is the end, the fact is that this is a pretty good chapter in the life of Shrek and company.

Shrek is now living in his swamp with his wife Fiona (Cameron Diaz) and his three kids while his friends Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) drop in for a visit every day. On paper, he has a good life: a good house, nice kids, a great wife and a few pals. Yet, married life is getting to Shrek. He has no time for himself, Fiona keeps asking him to unclog a sewage pipe, the kids need their diapers changed, and Donkey keeps coming home uninvited with his half-donkey half-dragon mutant kids for play dates. (I still think these offsprings are the weirdest fairy tale creatures ever animated and quite frankly are a little disturbing to look at. Come on! A donkey plus a dragon?  What do you tell the kids when they ask where mutant Donkey-Dragons come from?) To top it all off, a tour bus, or in this case tour carriage, keeps driving by while a guide is explaining to a bunch of tourists that in this swamp there lives a harmless ogre who is now married to a princess and neither of them would ever hurt a fly. Step right up folks! Watch the amazing harmless green muscle mountain! After a few days, that becomes annoying.

Eventually, Shrek snaps at his children’s birthday party and leaves wishing he had never rescued Fiona in the first place. They say “beware what you wish for” but in a world populated with fairy tale creatures, that should be a law. Little does Shrek know that there is an evil little gnome, troll, or whatever the hell he is, called Rumpelstiltskin who knows about Shrek’s troubles and gives an offer he should probably refuse, but doesn’t because otherwise there would be no movie.

Shrek therefore signs a deal that makes him feared by all of mankind once again for one full day, in exchange for a day of his past. What Rumpel neglected to tell him, clever ego-tripping maniac that he is, is that the day Shrek gave away completely alters the past and creates a new present. Shrek is now wandering through a parallel universe where Rumpel in now king, ogres are hunted by witches, Donkey never met Shrek, and Puss in Boots needs help from Jennie Craig. The only way out: Shrek must once again woo Fiona and give her a kiss that will prove he is her true love. Hey, it worked before.

Despite a plot that is clearly inspired by Its a Wonderful Life (how corny was that particular masterpiece) this last Shrek movie has some funny moments and decent action scenes. A particularly inspired casting choice is Craig Robinson as Cookie, the cook for the ogre rebels fighting Rumpel. His chief concern is how close his food stand will be to the battle field once the fighting is over. Apparently, there is nothing like a little ass-whooping to make a bunch of ogre warriors hungry. Eddie Murphy still delivers some pretty good lines every now and then, and his character has a nice chemistry with Antonio Banderas’ character. It probably can’t be called on screen chemistry since these two actors are heard but never actually seen on screen.

The surprising thing is how good Walt Dohnr is at voicing Rumplestilskin. If you have no clue as to who Walt Dohnr is, that is not surprising since so far his body of work consists of supporting voices for Shrek the Third, and writing and art department credits on a few other animated movies. He voices Rumple as an evil egocentric who has the ability to suck you into a bad deal. Sounds like a salesmen on Wall Street.
The fact that DreamWorks gave the role of the villain to what is essentially an unknown actor confirms what I have been suspecting for a long time: Mike Myers is grossly overpaid for this particular role. 





B

Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #97: Reservoir Dogs

One of the most surprising things about Quentin Tarantino’s debut film Reservoir Dogs (1992) is the fact that it has never been adapted for the stage. They will make a show out of Beauty and the Beast , Monty Python and the Holy Grail , and even Spider-Man , but somehow a movie in which most of the action takes place in a warehouse has never made it to Broadway? In any case, this was the movie that announced the arrival of the insatiable film fan that could regurgitate everything he had learned watching movies at the video store into stories filled with sudden bursts of violence, sharp-dressed characters, awesome soundtracks, and crackling dialogue.   Since this violent piece of American cinema came out at a time when I was still learning basic math in elementary school there was no way I would watch this on the big screen. However as the years went by it became a cult classic, and even a classic of the independent movies genre, and was re-released on special edition DVD for its

Empire Magazine (2008) Greatest Movies List - #49: Evil Dead 2

What do you get when you mix buckets of fake blood, creative camera operators, the humour of the Three Stooges, and a man with the most recognizable chin in Hollywood? You get Evil Dead II (1987), the horror classic that somehow manages to remake the original in the first 15 minutes and yet feel entirely original. Even though it is mostly set in a cabin in the woods, that staple location in the horror genre, it feels like a roller coaster ride. This is especially true once the film's hero, the scrappy Ash Williams, embraces the madness by arming himself with a sawed-off shotgun and attaching a chainsaw where his hand used to be. "Groovy" indeed. This gore-soaked franchise has had a long run, starting off with one low-budget movie directed by a young Sam Raimi and then growing into two sequels, a remake, comic books and a TV show with three seasons. My starting point was the third entry, Army of Darkness, which moves the action to the Middle Ages with the same

Empire Magazine (2008) Greatest Movies List - #102: The Hustler

Robert Rossen’s The Hustler (1961) is proof that any sport can be used for good cinematic drama even if that sport is pool. Although this is not a game that involves a massive sport arena and bloody boxing gloves, things can get dramatically interesting if the monetary stakes are high, and visually arresting if the filmmakers shoot from the right angle. It also helps a lot if the man putting his money on the table is played by a young Paul Newman in a career-breaking role. Prior to watching the film I had a vague idea of the meaning of the word “hustling” and a rather passive interest in the game of pool. It’s a fun game to play if you are having a couple of nachos and chicken wings on a Friday evening with friends, but I didn’t see it as a spectator sport. Watching The Hustler in the classics section of Netflix two years ago was a bit of an education since it shows the sport as a way of life for some people, and a huge source of revenue for big time gamblers. Newman star as