Skip to main content

Percy Jackson and the Olympians: The Lightning Thief

Here is a movie that felt somewhat uneven. Is it trying to take itself seriously when it is revealed early on that the main character, Percy Jackson (Logan Lerman) is the son of Poseidon, Greek god of the sea, that his mother (Katherine Keener) has been living with a drunk (Joe Pantoliano) all these years just to hide him from demons with the smell of his booze? Maybe not, when we meet Hades and see that he is being played by Steve Coogan.

That is actually one of the most entertaining things about this movie: seeing which grown-up actor is playing which Greek god, goddess, demon, or anything in between. We have Pierce Brosnan playing a centaur that is charged with protecting Percy and any other spawns of Greek gods at a training camp called, I kid you not, Camp Half-Blood (It says so on a big sign written in Greek). There is Sean Bean as Zeus, Kevin McKidd as Poseidon, Rosario Dawson as Persephone, and in a slithery performance, Uma Thurman as Medusa. If you have wondered what The Bride would look like with killer sun glasses and snakes for hair, this is your movie.

These characters all meet and interact once teenager Percy realises that his English teacher is a horrendous creature called a fury (I can relate) and that his best friend Grover (Brandon T. Jackson) is not handicapped but is in fact a satyr, a creature with goat’s leg. This is played for laughs many times throughout and Jackson does have a few good lines throughout. Percy is then told that he is accused of having stolen Zeus’ lightning bolt, which would lead to war between the gods. (Why doesn’t Zeus just keep a spare?) Once at Camp Half-Blood, the plan is to train to be a warrior, hone your heroic abilities, and fall in love at first sight with Annabeth (Alexandra Daddario) daughter of Athena (Melina Kanakaredes, whom I believe is the only actress of Greek descent in the entire cast). Instead of staying still and simply go tell Zeus that he is not a thief, Percy and his new friends decide to go on a quest to rescue his mother who has been kidnapped by Hades in exchange for the stolen lightning bolt.

This is all well and fun except for a few details. For starters, how do these kids manage to travel from New England to Las Vegas and then to Hollywood without ever once being pulled over by state trooper? I only mention it because Pantoliano accuses Percy on national television of having kidnapped his own mother and a maid at a motel sees Grover holding a severed human head. Wouldn’t this lead to a massive manhunt or at the very least an Amber alert?

Then there are the special effects which, in this age of Avatar and feel a little bit underwhelming. I am sorry, but if the CG stands out and that hydra looks cartoonish then you could up the ante a little bit. Still kudos, on the use of locations: the Empire State Building as the gateway to Mount Olympus, a Las Vegas casino as a place where travelers are perpetually imprisoned thanks to the hors-d’oeuvres, and Hollywood as the gates of hell. Where else could it have been? From what I’ve been hearing, maybe in Detroit.

B-

Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #20: Blade Runner

  Ridley Scott’s Blade Runner (1982) is one of those movies that gets more relevant with each passing decade. Set in a (now passed) future in which Los Angeles is overrun with people and pollution, the story focuses on artificial lifeforms clashing with their human creators. As the chase for these lifeforms progresses, writers Hampton Francher and David Peoples imply they may not be so different from the humans chasing them. If this sounds topical in 2024, imagine how relevant it will sound ten years from now. When writing these amateur reviews, I usually try to think back on the first time I watched the movie and what I felt at the time. This is tricky with Blade Runner considering there have been five versions of the film released since the 1980s. I believe the first version I did see on TV was the original theatrical version with the narration to guide the audience since executives thought that was needed. I eventually disagreed and purchased the Final Cut on Blu-Ray to see th...

Empire Magazine (2008) Greatest Movies List - #357: The long Goodbye

  Sometimes in a detective story the mystery is not half as fun as the detective stuck in the chaos of the story. Philip Marlow is one of those detectives. His name is synonymous with Hollywood noir and in The Long Goodbye (1973), he dives deep into a mystery involving a murder, then a suicide, then a missing person, and eventually a very violent gangster operating in sunny Los Angeles. One thing I love about this version is that this detective loves his cat enough to go buy him food at three o’clock in the morning. Now that is a dedicated pet lover. The late great director Robert Altman starts the action at a slow pace to introduce Marlowe (Eliott Gould) as he wakes up to his hungry cat. Here is a man who falls asleep in his clothes, always the same suit and tie, and is either constantly smoking or lighting a new cigarette. He is a friendly person, nice enough to pick up an item for his neighbours while going out to get cat food. It probably helps that said neighbours are five y...

Empire Magazine (2008) Greatest Movies List - #24: The Lord of the Rings: The Fellowship of the Ring

  Looking back on the first movie in Peter Jackson’s The Lord of the Rings saga, my first thought is that people really need fantasy in their lives. The Fellowship of the Ring came out in 2001, a year when to say the least the news were pretty depressing. An escape to a fantasy land filled with wizards, hobbits, elves, and dwarves engaged in a fight of good versus of evil came at just the right time. You get a certain feeling when you sit in a theater, the lights dim, and you are swept away to the beauty of Middle Earth, via New Zealand. Given the length of Jackson’s movies, it is also a fairly long escape from reality. Prior to sitting down in that theater in 2001, my knowledge of J.R.R Tolkien’s fantasy work was fair at best. I believe I had read the books at least once before and has seen the animated movie from the 1980s, but I was no Stephen Colbert. Since watching that first movie my appreciation for Tolkien’s world has grown as I own the extended cuts of every one of the...