Simon's Movie Reviews

Brian De Palma’s Blow Out (1981) manages to be an outstanding thriller while also educating the audience about the mechanics of making such a movie. Many moviegoers might not understand the concept of editing, sound mixing, or why they have their own categories at the Oscars. Through the eyes (and ears) of a sound technician, we get to see how every sound in any movie is carefully picked in order to elicit the right reaction from the audience. Things take a tragic turn when said technician records an actual murder. Jack Terry (John Travolta) is a self-described “sound guy” who has quite a few movies under his belt. Unfortunately, those movies are not Oscar-winning dramas shot in Hollywood, but low-budget slasher films that border on sexploitation. Yet Jack works diligently out of his Philadelphia office, always trying to find the right sound to mix into the film. Those sounds can be anything from the sounds of a creaking door to the scream of an actress as a maniac is about to stab h...

  Alien (1979) is a perfectly executed horror movie with a simple premise that works and a slim cast treating the material seriously. The movie’s one-word title perfectly sums up the story and its deadly antagonist: an unknown alien creature is aboard a spacecraft and is killing the crew one by one. This is a B-movie plot that had been done before plenty of times and has been imitated repeatedly. However, in the highly capable hands of Ridley Scott, this haunted house movie set in space slowly build up to be one of the scariest thrillers ever made with only a few jump scares. It helps that the monster is one of the scariest creatures ever designed in the history of horror.   Two things about me and this movie’s monster: first, when I was a kid, seeing it in a 30-second trailer was enough to scare me. Second, Mel Brooks made it a lot less scary. There is an entire generation of movie-goers who were scared and possibly vomited in their popcorn bags when they first saw the sce...

  Peter Weir’s The Year of Living Dangerously (1982) is a very well made look at how reporters, back when they still had stable careers, operate in unstable countries. It looks at ethical questions, from the point of view of both the journalists covering the conflicts, and the people who actually live in the country and have to live with the impact of their coverage. One of these people is a photographer played by an award-winning Linda Hunt. Unfortunately, the other major role is played by Mel Gibson, a name now synonymous with controversy, but that shouldn’t stop anyone from seeing the movie. Between Christmas and the start of 2022 like many people I was stuck indoors with a lot of time to kill so I caught up on a few shows and movies. I can’t say I was itching to complete my viewing of Mel Gibson’s filmography, but I was pleasantly surprised to see Linda Hunt have such a prominent role. Certain TV viewers might know her as the boss on NCIS LA , but here we see her early in her...

  Despite all the fantasy elements and the many battles, it would be reasonable to consider Peter Jackson’s The Lord of the Rings movie trilogy a holiday tradition. All three movies all came out during the holiday season, feature family and friends joining together, and it is wonderful escapism to enjoy on a cold winter day. The Return of the King (2003) is especially joyous since it is the culmination of all the adventures the characters have gone through, even though there are about five different culminations as the movie winds down. Whether you are a fan of the fantasy genre or if you have read the books, seeing The Return of the King on the big screen is quite the experience. It is not with every movie that you get to see thousands of riders charge against an army of orcs on a battlefield only to get attacked by a battalion of elephant-like creatures. That is one of the most spectacular scenes in a movie filled with plenty of spectacular scenes over a two and a half runnin...

  Terminator 2: Judgement Day (1991) should be what all action movie sequels aim to be. Some people say less is more; James Cameron says more is more. With this sequel he pitted two terminators against each other, turned Linda Hamilton into a heroine for the ages, and just as he did with Aliens, he increased the scale of the action sequences by 10. On paper the concept for the Terminator films sounds like a low-grade B movie: a robot from the future, played by an Austrian actor with the world’s thickest accent, is sent to the past to kill the leader of the human resistance. What ended up on screen is a ground-breaking special effects bonanza that takes viewers on an epic adventure. This was a seminal 90s movie, so of course my brother and I ended up owning a copy on VHS, which had repeated viewings. Some of the action scenes were probably too graphic for my age at the time, but I’m not complaining. Whenever I feel today’s action movies have too many G-rated gunfights with superhe...

  If there is a university course that explores the possible correlation between movies and real-life crimes, Stanley Kubrick’s A Clockwork Orange (1971) is probably on the curriculum. Despite the fact the movie never endorses the horrible crimes perpetrated by the protagonist, it inspired copycat crimes to the point Kubrick supported the decision to pull the movie from theaters. The question of if this should be done every time a criminal is inspired by a movie could be debated for hours. As for the movie itself, I think it has a lot of artistic merit, great performances, and poses very thought-provoking questions. I just wish those questions had been better explored by the time the movie ends. I first became aware of A Clockwork Orange in the early 2000s when Stanley Kubrick movies were airing on a movie channel. Given the explicit content of most of Kubrick’s movies, they were airing slightly after most bedtime hours. However, some kids at my school clearly did not care becau...

  Heat (1995) is a crime movie in which screen legends Al Pacino and Robert De Niro shared the screen for the first time. That alone should be good enough to guarantee near perfection. Fortunately, this is also a Michael Mann movie featuring some crackling dialogue and action choreography that makes the audience feel like they are right in the streets amid the gunfight. The result is a movie so good it influenced a slew of other crime movies in its wake, including Christopher Nolan’s The Dark Knight . My first viewing of Heat was sometime in the mid-2000s when I watched it the old-fashioned way by renting it from the video store. I did not know much about it other than it was a crime movie starring Pacino and DeNiro, and upon first viewing I thought there were a few lengthy moments in between the action scenes. Having recently viewed it again, I have more appreciation for the scenes when the bullets aren’t flying because those quieter scenes do a good job of establishing the cha...