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Empire Magazine (2008) Greatest Movies List - #357: The long Goodbye

 


Sometimes in a detective story the mystery is not half as fun as the detective stuck in the chaos of the story. Philip Marlow is one of those detectives. His name is synonymous with Hollywood noir and in The Long Goodbye (1973), he dives deep into a mystery involving a murder, then a suicide, then a missing person, and eventually a very violent gangster operating in sunny Los Angeles. One thing I love about this version is that this detective loves his cat enough to go buy him food at three o’clock in the morning. Now that is a dedicated pet lover.

The late great director Robert Altman starts the action at a slow pace to introduce Marlowe (Eliott Gould) as he wakes up to his hungry cat. Here is a man who falls asleep in his clothes, always the same suit and tie, and is either constantly smoking or lighting a new cigarette. He is a friendly person, nice enough to pick up an item for his neighbours while going out to get cat food. It probably helps that said neighbours are five young women who spend most of their time either dancing or doing yoga, usually half naked. When he can’t find the right brand of cat food at the store, Marlowe tries to be smart and pour the contents into the can of the brand he usually serves his cat. The little fur ball doesn’t fall for the trick and runs out the door, much to Marlowe’s chagrin.

Those are good introductory scenes that lead to the inciting incident. Marlowe’s old friend Terry Lennox (Jim Bouton) shows up asking for a lift to the Mexican border to spend time away from his wife after a particularly nasty fight. Marlowe does his old friend this favour, which he soon regrets. Upon his return two detectives are waiting for him with questions about Terry’s whereabouts since his wife was found murdered. Sincerely believing in his friend’s innocence, Marlowe doesn’t feel like cooperating and spends three days in jail. You get the feeling this is not his first time being interrogated or spending time behind bars. When he is finally told he is free to go he responds with irritation, “I was free to begin with.”

Things escalate from there, with a new case involving a missing writer with shades of Ernest Hemingway, a dubious doctor (Henry Gibson) from a mental health clinic, a missing suitcase full of money last seen in Terry’s possession, and the violent gangster Marty Augustine (Mark Rydell) who would very much like to get his hands on that money. As the protagonist from another detective story set in Los Angeles once said, this story has a lot of ins, a lot of outs. Still, Marlowe is determined to find the answers, while also taking time to see if anyone has seen his cat.

One thing I really like about this movie is how grounded it feels. While in jail Marlowe recognizes an African American clerk from his grocery store. “They got you too?” he asks as though this happens frequently. While in his cell Marlowe listens to the musings of cellmate, locked up for marijuana possession, saying one day it’s the police who will be behind bars. Meanwhile Marlowe’s richer client live in a gated community where they a greeted by a security guard who does celebrity impressions. Then there is the crew of Augustine that is as racially diverse of the streets of Los Angeles. Marlowe spots an Irishman, a Mexican, and…isn’t that a young Austrian muscle man by the name of Arnold Schwarzenegger? Well, so it is.

When the mystery eventually unravels not everything makes complete sense, but then again that often happens in noir mysteries. I didn’t care because I enjoyed the ride and Elliott Gould’s performance as Marlowe. Prior to this I only knew him from Ocean’s Eleven and its sequels, and as Trapper in Robert Altman’s M.A.S.H. Many actors have portrayed Marlowe since Raymond Chandler first published his novels and it would have been interesting to see more of Gould’s take on the character. Over the course of this one movie, you get the feeling he has been through other investigations, talked to a lot of cops, and had his fair share of drinks with dubious. He has been there; he has done that. Now, if only he could find that cat and give him the right kind of food.


 


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