Christopher Nolan’s Memento (2000) is fascinating for many reasons, the most obvious being its reverse order that brings the viewers back to the beginning. Or is it the ending? That this was only Nolan’s second film proved this guy is a master storyteller, which is probably why Warner Bros. went to him to resurrect Batman after Joel Schumacher had buried it under layers of campiness in Batman and Robin . The protagonist of Memento probably sees himself as a hero since he is trying to avenge the death of a loved one, but as Nolan would shows in his Dark Knight trilogy sometimes revenge is not black and white. I first saw the film while I was studying at the University of Sherbrooke and it was being shown in the local film club as part of a double feature along with Nolan’s first movie Following , which seen together can spark interesting conversations about morality. One film has a character following strangers and getting into all sorts of trouble. The second is about a mentally...