Skip to main content

Empire Magazine (2008) Greatest Movies List - #35: The Lord of the Rings: The Return of the King

 


Despite all the fantasy elements and the many battles, it would be reasonable to consider Peter Jackson’s The Lord of the Rings movie trilogy a holiday tradition. All three movies all came out during the holiday season, feature family and friends joining together, and it is wonderful escapism to enjoy on a cold winter day. The Return of the King (2003) is especially joyous since it is the culmination of all the adventures the characters have gone through, even though there are about five different culminations as the movie winds down.

Whether you are a fan of the fantasy genre or if you have read the books, seeing The Return of the King on the big screen is quite the experience. It is not with every movie that you get to see thousands of riders charge against an army of orcs on a battlefield only to get attacked by a battalion of elephant-like creatures. That is one of the most spectacular scenes in a movie filled with plenty of spectacular scenes over a two and a half running time. Despite that length, I enjoyed the movie enough to ask for the extended version on DVD, which I have revisited often over the years during the holidays. After spending two years living in confinement and having a very reduced version of Christmas, it was very especially comforting to revisit those movies this month. Escaping reality was sorely needed.

Whereas the first movie is a quest movie, the next two movies in The Lord of the Rings could be considered full-scale war movies. The third is the one where the final battles take place, winner takes all. As wizard Gandalf (Ian McKellen) puts it, “the board is set, the pieces are moving”. While the armies of man slowly assemble to fight the multitudes of orcs and other creatures serving the dark lord Sauron, Hobbits Frodo and Sam (Elijah Wood and Sean Astin) make their way to Mount Doom. Like soldiers in enemy land, they have the mission to destroy the One Ring, essentially a Weapon of Mass Destruction that can guarantee the Enemy’s victory. J.R.R Tolkien was a soldier in his youth, and it shows.

Kevin Smith has said his biggest problem with these movies is that there is a whole lot of walking. There is indeed a lot of walking as these people don’t have cars, but in the final film everyone finally gets where they are supposed to be, and it is hugely satisfying. As Frodo and Sam are ending their trek, led by the sick creature Gollum/Smeagol (Andy Serkis, in a career-defining role), everyone else is gearing up for war. Aragorn (Viggo Mortensen) is the titular king returning to claim his destiny and unite the kingdoms of man, but it is not an easy journey. Fortunately, he is still accompanied by faithful friends Legolas (Orlando Bloom) and Gimli (John Rhys-Davies) who keep things funny by competing in the battlefield. People are dying all around, but that doesn’t mean an elf and a dwarf can’t wager on who can kill the most orcs.

On the front line of the war, you have Gandalf and Pippin (Billy Boyd) who have travelled to the city of Osgilliath, the first target of Sauron’s army. That city is one of the most beautiful set designs in the film. Built at the base of a mountain, with different levels rising with the mountain, it is a beauty to see on the big screen. Unfortunately, its leader is not a noble king but a vain steward (John Noble) too wrecked by grief to properly prepare his city for war. Seeing he has to take matters into his own hands, Gandalf has Pippin clandestinely light up a beacon to call for help.

This leads to a series of magnificent wide shots as we see beacons be lit across snow-covered mountains, once again highlighting to beauty of New Zealand. It did make me feel bad for the poor people who have to light these beacons. Do they seriously spend their entire days up in those icy mountains waiting for the day when someone might call for help? Now that’s dedication.

A good thing those beacons were lit, as it leads to the literal cavalry being called. King Théoden (Bernard Hill) of Rohan chooses to answer the call and assembles every rider he can find, even though the odds are not his favour. Among the riders are Hobbit Merry (Dominic Monaghan) and the king’s niece Éowyn (Miranda Otto), hiding from her warrior brother Éomer (Karl Urban) who believes women don’t belong in the battlefield. Boy, does she prove him wrong, uttering the line “I am no man” right before plunging her sword into a seemingly unkillable enemy.

This is why people keep coming back to those movies. Despite the extended cut being so long it occupies your whole evening, most of the time there is something extraordinary going on to keep you riveted. You go on a journey with these characters and cheer as they march into battle even though they will most likely die. As Gimli puts it: “Certainty of death. Small chance of success. What are we waiting for?”   

Some people, like super fan Stephen Colbert, say The Lord of the Rings is the greatest trilogy of all time. That is something that could be debated for hours by hardcore movie fans, with the possibility of a few shouting matches. As for me, I do believe The Return of the King is one of the best conclusions to a trilogy, despite the about four different endings.





Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #147: Notorious

Alfred Hitchcock’s Notorious (1946) has many of the master director’s signature elements: spies, lies, a handsome leading man, a domineering mother, and of course a MacGuffin. As it is set after World War II the villains are logically former Nazis, but the plot is so tense in many scenes that it remains an effective thriller to this day. It also bears a huge influence on John Woo’s Mission Impossible 2 , which retains plot elements and similar dialogue, but of course has more explosions than all of Hitchcock’s films put together. Notorious is so well-made it can be studies in film classes, which is exactly what I did while taking a course on Hollywood Cinema 1930-1960 during the summer of 2009 at the University of British Columbia. As this is Hitchcock we are talking about here, there are subtler things to analyze than explosions in Notorious , no offense to the skills of Mr. John Woo. Famously there is a kissing scene between stars Cary Grant and Ingrid Bergman that seemingly las...

Empire Magazine (2008) Greatest Movies List - #91: Return of the Jedi

If you want someone to give you death stares, tell a die-hard Star Wars fan the original trilogy is not perfect. I am however going to take a risk and write that if there is one major flaw with Return of the Jedi (1983) is a lack of imagination when it comes to the central plot. After the good guys blow up the Death Star in the first movie, the bad guys are almost done building a brand new one, which of course needs to be destroyed again in more or less the same way. Richard Marquand may be directing this time, but it was still George Lucas writing. Plot hole aside, as a kid you can’t help but have fun as the good guys join forces with a tribe of living teddy bears to get the job done. Like many people in their early 30s, I was introduced to the first Star Wars trilogy by my parents who had recorded the movies, commercials included, when they were showing one night on TV. Upon first viewing, a few things stick out in the mind of a young boy watching Return of the Jedi such as:...

Empire Magazine (2008) Greatest Movies List - #85: Blue Velvet

Exactly how do you describe a David Lynch movie? He is one of the few directors whose style is so distinctive that his last name has become an adjective. According to Urban Dictionary, the definition of Lynchian is: “having the same balance between the macabre and the mundane found in the works of filmmaker David Lynch.” To see a prime example of that adjective film lovers need look no further than Lynch’s Blue Velvet (1986), which does indeed begin in the mundane before slowly sinking in macabre violence. My first introduction to the world of David Lynch was through his ground breaking, but unfortunately interrupted, early 1990s TV series Twin Peaks . This was one of the first television shows to grab viewers with a series-long mystery: who killed Laura Palmer? A mix of soap opera, police procedural, and the supernatural, it is a unique show that showed the darkness hidden in suburbia and remains influential to this day. Featuring Kyle MacLachlan as an FBI investigator with a l...