Skip to main content

Empire Magazine Greatest Movies List: #383 - Serenity


“Serenity” is what happens when you give free reigns to Joss Whedon. It is a movie that is cool as can be, a space western featuring a rag tag crew of pirates/mercenaries on the run from an evil empire hell-bent on killing one of their passengers. It features a charismatic lead, strong female characters, witty dialogue, sword fights, fist fights, gun fights, and of course space battles. The crew’s spaceship, Serenity, is of course a pile of junk. Don’t you love underdogs?

The movie is based on a TV show that is somewhat of an underdog itself. “Firefly,” premiered on Fox in 2002 and was cancelled after 11 episodes. That would normally have been the end for any show, but then all episodes were released on DVD. Then many people bought them, lots of people wondered why some idiot at Fox cancelled such a fun show, fan clubs were formed, and comic books continued the story. Eventually Joss Whedon thought there was enough support to get the band back together and make a movie.

I only saw previews for the show and never took the time to watch an episode. My brother on the other hand loved the show and was one of the many people to hate Fox for pulling the plug. When the movie came out in 2005 I was drawn in by all the buzz and headed for the first cinema in Quebec City that played the film in English. I had a great time, had some good laughs, and then also wondered why “Firefly” was cancelled. Eventually my brother bought the entire TV show and I believe I got him the movie as a Christmas present. You don’t need to have seen the TV show to enjoy the movie, but once you have seen one you will want the whole package.

The film, much like the TV show, follows the crew of the “Serenity” led by Captain Malcolm “Mal” Reynolds (Nathan Fillion), a charming rogue with a loose sense of morality. In a quick sequence we meet the rest of the crew as his ship may or may not crash land on a planet. There is Wash (Alan Tudyk) the kind of pilot you really want behind the wheel when in the middle of a battle involving hundreds of spaceship, Zoe (Gina Torres) the rational second-in-command and wife of Wash, Jayne (Adam Baldwin) the trigger-happy brute, and Kaylee (Jewel Staite) the pint-sized mechanic. These aren’t your old school honorable crewmembers from Star Trek. If there’s a job and it pays well, they’ll take it even if it means robbing someone at gunpoint.

Unfortunately for them, the Alliance that rules their galaxy has put a target on their head. Not for their cargo but for two of their passengers. Doctor Simon Tam (Sean Maher) rescued his sister River Tam (Summer Glau) from a government prison and sought refuge aboard the Serenity. On the surface River seems to be suffering from mental trauma as a result of torture and is not always there. But beneath lies a killing machine with the ability to read people’s mind. Before escaping from prison she read the mind of too many important people and now she knows too much.


To find her and kill her the Alliance sends a nameless warrior known only as The Operative (Chiwetel Ejiofor), the sort of man who can rationalize killing hundreds of innocents for the greater good. He is ruthless, calculating, patient, and lives by an ancient code of honor. Part of the joy of the movie is seeing him clash with Reynolds’ brashness. When the Operative sets a trap by capturing Inara (Morena Baccarin), Reynolds’ love interest, he expects to they will negotiate man to man. He tells Reynolds’s he is unarmed as a sign of good faith. As a sign of intelligence, Reynolds’ shoots him on the spot. Of course The Operative never said anything about body armor.

This is the sort of humor Whedon excels at. Like half the planet I have seen his most recent cinematic outing, a little movie called “The Avengers.” I expected to see fights and explosions, which there are plenty, but I didn’t expect it to have some many funny one-liners. Take the action away and you have a comedy.

Another part of his appeal is his ability to write strong female characters. True, one of the characters in Serenity is in fact a prostitute, but she can definitely stand her own ground. Then there is Summer Glau, who has not one but two fights when she battles a dozen adversaries, first with her bare hands, and later with a pair of axes. No damsels in distress in this galaxy.

Sadly, “Serenity” did not make the fortune “The Avengers” made at the box-office, but once again the DVD sales proved the fans still had a lot of love. The chances of a sequel or bringing back the show are slim, but I would say the movie brings a satisfying sense of closure. An even greater sense of satisfaction: Fox mistreated a great show and years later Whedon went to work for Marvel Studios and directed one of the highest grossing films of all time. Don’t you love it when the underdog wins in the end?


Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #147: Notorious

Alfred Hitchcock’s Notorious (1946) has many of the master director’s signature elements: spies, lies, a handsome leading man, a domineering mother, and of course a MacGuffin. As it is set after World War II the villains are logically former Nazis, but the plot is so tense in many scenes that it remains an effective thriller to this day. It also bears a huge influence on John Woo’s Mission Impossible 2 , which retains plot elements and similar dialogue, but of course has more explosions than all of Hitchcock’s films put together. Notorious is so well-made it can be studies in film classes, which is exactly what I did while taking a course on Hollywood Cinema 1930-1960 during the summer of 2009 at the University of British Columbia. As this is Hitchcock we are talking about here, there are subtler things to analyze than explosions in Notorious , no offense to the skills of Mr. John Woo. Famously there is a kissing scene between stars Cary Grant and Ingrid Bergman that seemingly las...

Empire Magazine (2008) Greatest Movies List - #91: Return of the Jedi

If you want someone to give you death stares, tell a die-hard Star Wars fan the original trilogy is not perfect. I am however going to take a risk and write that if there is one major flaw with Return of the Jedi (1983) is a lack of imagination when it comes to the central plot. After the good guys blow up the Death Star in the first movie, the bad guys are almost done building a brand new one, which of course needs to be destroyed again in more or less the same way. Richard Marquand may be directing this time, but it was still George Lucas writing. Plot hole aside, as a kid you can’t help but have fun as the good guys join forces with a tribe of living teddy bears to get the job done. Like many people in their early 30s, I was introduced to the first Star Wars trilogy by my parents who had recorded the movies, commercials included, when they were showing one night on TV. Upon first viewing, a few things stick out in the mind of a young boy watching Return of the Jedi such as:...

Empire Magazine (2008) Greatest Movies List - #85: Blue Velvet

Exactly how do you describe a David Lynch movie? He is one of the few directors whose style is so distinctive that his last name has become an adjective. According to Urban Dictionary, the definition of Lynchian is: “having the same balance between the macabre and the mundane found in the works of filmmaker David Lynch.” To see a prime example of that adjective film lovers need look no further than Lynch’s Blue Velvet (1986), which does indeed begin in the mundane before slowly sinking in macabre violence. My first introduction to the world of David Lynch was through his ground breaking, but unfortunately interrupted, early 1990s TV series Twin Peaks . This was one of the first television shows to grab viewers with a series-long mystery: who killed Laura Palmer? A mix of soap opera, police procedural, and the supernatural, it is a unique show that showed the darkness hidden in suburbia and remains influential to this day. Featuring Kyle MacLachlan as an FBI investigator with a l...