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Empire Magazine (2008) Greatest Movies List - #22: Star Wars Episode IV: A New Hope

 


Star Wars. One movie, with a two-word title that was directed by a young director who wanted to do Flash Gordon but couldn’t get the rights. Decades later and that one movie is now retitled A New Hope, is the first chapter in a trilogy, the fourth episode in a saga, and the seed of what is essentially a genre within cinema. For better or for worse, this movie was the equivalent of an Earth-shattering earthquake in Hollywood history. Before 1977 George Lucas was just an up-and-coming director whose career could have ended had this been a failure. Instead, the movie and its sequels made him one of the most known filmmakers in the world, and a whole generation became familiar with words like “lightsaber”, “X-Wing”, and “Wookie”. For some truly hardcore fans, these movies are the equivalent of a gospel, so much so that they will write “Jedi” as their religion of choice.

My first dive into the Star Wars universe was as a child, watching the movies on VHS in the 1990s after my parents had recorded them on TV. This was the original Star Wars, with no episode title, no new digital effects, and years away from the prequels. The original gospel, one might say. From the giant opening titles in space to the triumphant ending, I was hooked. The towering figure of Darth Vader was scary, the music by John Williams put me right in the action, and I was really hoping R2-D2 wouldn’t get hurt as he wandered alone in the desert. My brother and I loved the experience so much we would rewatch that VHS tape frequently, recreate scenes from the movie with our toys, and of course play the Super Nintendo games.

Now a grown man in my thirties, I still very much like the movie but I would not describe myself as a hardcore Star Wars super fan. I believe that way lies madness. Passion is a good thing, but too much of it can lead you to believe George Lucas ruined your children because he wrote Jar Jar Binks in the prequels. Even worse, you could be so passionate that you bully actor Achmed Best just because he played the character. At the end of the day, these are just movies after all. I see the Star Wars universe as a huge buffet table made up of the original movies, the prequels, sequels, TV shows, video games, novels, board games, action figures, etc. Like a buffet table, some things are delicious, and some things are better left on the table. If you don’t like it, just don’t eat it.

Going back to the original movie, it is quite fascinating how this story managed to be the launchpad for an entire universe. The building blocks are laid out quickly, with the iconic lines “A long time ago, in a galaxy far, far away”, which may as well be “Once upon a time.” In any other story we would start right off with the hero or the princess. Instead, the first characters are supporting characters who are not even human. C3-PO (Anthony Daniels) and R2-D2 (Kenny Baker) are two androids who are pretty ordinary except for the fact they always find themselves in the middle of the pivotal moments in the galaxy. Princess Leia (Carrie Fisher) gives R2 the plans to the Death Star superweapon to hide them from the evil Darth Vader (iconically voiced by James Earl Jones) and bring them to the rebel alliance. C3-PO would much rather walk away from the laser guns, but R2 has a mission and he will carry it out.

By what now seems like an extraordinary coincidence, they land on the exact right planet, in the exact right stretch of the desert, where they eventually find retired hero Obi-Wan Kenobi (Sir Alec Guiness) and young would-be pilot Luke Skywalker (Mark Hamill). Once Luke is introduced, he takes center stage as a man eager to leave his simple farm life and maybe join the fight against the evil empire that has enslaved the galaxy. His aunt and uncle however fear he might be too much like his father (much more on that in later movies). First however, Luke and Obi-Wan must find a way off the planet, which is where the roguish hero Han Solo (Harrison Ford) is introduced.

People are often split between who is better, Luke or Han. Luke is the hero who immediately wants to go rescue the princess and save the day, whereas Han is initially more of a lone-gunslinger type who would rather shoot first, get paid, and run away from danger. I used to have a Han Solo blaster that doubled as a water pistol, so I guess that tells you where I stand. It is one of the roles that would define Harrison Ford’s career, something that he sometimes seems to regret. Yet it is difficult to imagine anyone else in the role as he brags about doing the Kessel run in less than 12 parsecs. He might have found the dialogue ridiculous, yet Ford managed to deliver it with confidence.

Between the dialogue, the odd story structure, and the fantasy terms that are heaped upon the audience over the movie, it is quite amazing how Star Wars managed to be the success that it became. There are plenty of things that could have gone wrong, from the performances to the special effects. However, every single piece of the puzzle managed to fit in the right place. John Williams wrote a score that is now about as iconic as the Happy Birthday song, the special effects effectively conjured the image of a planet exploding, and the story convinced viewers to come back to the theaters over and over again. It could have all ended on a cliffhanger, with the heroes triumphant and the villain planning his next move. Instead, we got to see over the decades a cinematic universe continue expanding as though a Big Bang had just occurred. Thankfully, that universe also led Mel Brooks to make Spaceballs.







 

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