Skip to main content

Empire Magazine (2008) Greatest Movies List - #311: American History X


I so wish a movie like American History X (1998) was not relevant at all today. Instead it feels like but a short prologue to the madness that was to come. The movie's director, Tony Kaye, apparently wanted to disavow the movie but fortunately star Edward Norton helped bring a finished cut to the screen. The result is a story about white nationalism, neo-Nazis, hatred, racial division, and a war of ideas that couldn't feel timelier in today's political climate. When a neo-Nazi proudly talks about the advances they have made with the Internet I got chills.

I had been vaguely aware of the movie ever since it came out, never being very interested in watching it given the heaviness of the subject matter. It became available on Netflix recently so I thought I may as well scratch another Greatest Movies off my list. The short plot description also told me this could sadly have been shot last year as a possible companion piece to Spike Lee's Blackkklansman. As I watched the events of the story unfold part of me thought it should be re-released in theaters to spark a conversation. Another part of me thought it might accidentally further galvanize the wrong crowd.

Plot-wise, the story is relatively short. Teenager Danny Vinyard (Edward Furlong, of Terminator 2 fame) is in trouble for having written an essay praising Adolf Hitler at his Venice, California, high school. Danny shrugs off the reaction of his Jewish history teacher (Elliot Gould) and principal (Avery Brooks) because he has grown up in an environment where Hitler is a figure to be revered. This is in large part due to his older brother Derek (Norton), who has a swastika tattooed on his chest and has been released from prison after three years for killing an African-American man during an altercation. However, much to Danny's surprise, Derek seems to have turned a new leaf in prison and wants to turn his back on his white-supremacist ideology.  

While Danny writes a replacement essay about his brother, titled American History X at his principal's request, black and white flashback scenes reveal the history of Derek's descent into hatred. One key incident was the death of his firefighter dad who was shot by apparently an African American criminal. During a TV interview Derek starts spewing about how minorities are the cause of all the crimes in America whereas white European settlers managed to peacefully make a life for themselves. Later, he rallies other angry young white men and rants to them about how minorities are crossing the border and working illegally in businesses that used to belong to white men. Is any of this starting to sound familiar? Derek never says they should build a wall to keep the illegals out, but I got the feeling he would not be against the idea.

Derek eventually gets to reveal flashbacks of his own when he explains to Danny why he chose to leave this hatred behind after prison. Once again there are many factors at play, but key to his change is a conversation with the school principal, Dr. Sweeney. This rational man, who also works with the police to help fight hate groups, asks Derek if any of his life choices have actually helped him. The answer is of course no since those choices have landed Derek in prison. 

Unfortunately, while Derek is finally getting a positive influence, Danny is getting just the opposite. White-supremacist gang leader Cameron Alexander (Stacy Keach) is recruiting lots of young angry men just like Derek and Danny in order to channel their anger and organize them into an army. For guys like Alexander, a race war is a best-case scenario. After spending time with these people, Danny starts to believe he should hate anyone who is not white and Protestant. These are the kinds of people who would have been perfectly at home screaming hateful things while marching with tiki torches in Charlottesville in 2017.

A very important point the movie makes is that hatred is taught. Derek was not born hating people who are different from him. Angry people in his orbit convinced him all his problems are caused by others, and even worse, that he should do harm to all these others. Singling out a group of people and saying they are responsible for all crimes has consequences.

You can't give enough praise to Edward Norton for taking on this role. Sometimes I even got the impression he is playing two people. Before prison Derek is a person you will find repulsive and disgusting, so much so his own mother (Beverly D'Angelo) tells him she is ashamed to have brought him into this world. After prison however you root for the guy since he realizes he has been manipulated and is now focussing on stopping his brother from going down the same path.

My biggest problem with this movie is that it is a little too short despite having a running time of just under two hours. I would have liked to have seen more scenes of Derek being radicalized and then more scenes of him deciding to become a changed man. The ending also feels a little abrupt and perhaps too sad, but maybe that's just because I would like a happier ending given the way things are today. Perhaps instead of being re-released this is the sort of movie that could be adapted into a TV series to explore how this hatred is spread, and more importantly, how to stop it from spreading.

Comments

Popular posts from this blog

Empire Magazine Greatest Movies List - #333: Grease

Nostalgia is a powerful feeling. You have some good times in a period of your life, time goes by and you feel like going back to that time period. I am guessing someone in the late 70s felt nostalgic about late 1950s high school life in America, leading to the creation of “Grease,” one of John Travolta’s first hits. The life and time are very dated today, but every now and then you still hear the soundtrack on classic rock stations. Clearly the lyricists did their jobs right. This is not my favourite musical. It’s cutesy with catchy tunes, but my top two musicals are “The Blues Brothers” and “The Rocky Horror Picture Show.” If it involves car chases, Ray Charles, the Time Warp, Meat Loaf, and Carrie Fisher with a rocket launcher then count me in. I have less enthusiasm for Danny Zucko singing about his summer love for Sandy. But the movie was available for a dollar on iTunes during an evening when I had nothing to do in University, so I might as well kill two hours and ...

Empire Magazine (2008) Greatest Movies List - #20: Blade Runner

  Ridley Scott’s Blade Runner (1982) is one of those movies that gets more relevant with each passing decade. Set in a (now passed) future in which Los Angeles is overrun with people and pollution, the story focuses on artificial lifeforms clashing with their human creators. As the chase for these lifeforms progresses, writers Hampton Francher and David Peoples imply they may not be so different from the humans chasing them. If this sounds topical in 2024, imagine how relevant it will sound ten years from now. When writing these amateur reviews, I usually try to think back on the first time I watched the movie and what I felt at the time. This is tricky with Blade Runner considering there have been five versions of the film released since the 1980s. I believe the first version I did see on TV was the original theatrical version with the narration to guide the audience since executives thought that was needed. I eventually disagreed and purchased the Final Cut on Blu-Ray to see th...

Empire Magazine (2008) Greatest Movies List - #357: The long Goodbye

  Sometimes in a detective story the mystery is not half as fun as the detective stuck in the chaos of the story. Philip Marlow is one of those detectives. His name is synonymous with Hollywood noir and in The Long Goodbye (1973), he dives deep into a mystery involving a murder, then a suicide, then a missing person, and eventually a very violent gangster operating in sunny Los Angeles. One thing I love about this version is that this detective loves his cat enough to go buy him food at three o’clock in the morning. Now that is a dedicated pet lover. The late great director Robert Altman starts the action at a slow pace to introduce Marlowe (Eliott Gould) as he wakes up to his hungry cat. Here is a man who falls asleep in his clothes, always the same suit and tie, and is either constantly smoking or lighting a new cigarette. He is a friendly person, nice enough to pick up an item for his neighbours while going out to get cat food. It probably helps that said neighbours are five y...