Michael Cimino’s The Deer Hunter (1978) is a prime
example of how Christopher Walken is much more than a punch line. People often
do impressions of him for his admittedly odd speech pattern, which sadly
overshadows his great acting skills. In Cimino’s war film, the last he would
direct before the financial disaster Heaven’s
Gate, Walken plays a blue-collar worker in 1967 America who starts off as a
happy young man only to be irrevocably transformed by the horrors of the
Vietnam War. It is an amazing performance in a movie filled with some of the
best actors of their generation also working at the top of their game.
I had wanted to
see this movie for a long time since it appears on many Best Movies of All
Times list and it has a rather infamous Russian roulette sequence that is so iconic
it became the movie’s poster. However this is a three-hour movie so you really
need to clear your schedule if you are planning on viewing it all in one
sitting. Fortunately it became available on Netflix Canada this month and I had
an extra day off recently so I made me a bag of popcorn and watched it over an
afternoon. If you find violence disturbing, you might want to plan an extra
hour to decompress afterwards because this is no comedy.
Things actually
start off happily for the film’s characters, a group of life-long friends
living in a small town in Pennsylvania. The movie’s first hour follows steel
workers Mike (Robert De Niro), Nick (Christopher Walken), Steven (John Savage),
Stan (John Cazale), Axel (Chuck Aspegren) and bar owner John (George Dzundza)
as they get off work and get ready for Steven’s wedding. The wedding is a grand
affair that must have required many hours of preparations on the filmmakers’
part since it involves hundreds of extras dancing, cheering, and getting very,
very drunk. You also get the feeling the group of actors, which includes Meryl
Streep as Nick’s love interest Linda, all have a great chemistry. You really
believe these people have grown up together and have plenty of inside jokes as
well as a few pet peeves about each other.
For instance the
day after the wedding the boys all get in a car and drive up into the mountains
to hunt some deer. Once they start loading up Stan realizes he has forgotten
his boots and asks Mike if he borrow one of his pairs. Mike gets very defensive
about this and refuses because apparently Stan always forgets something before
they drive up. Since Mike is busy loading his rifle while this argument is happening
and Stan is always bragging about the fact he carries a loaded pistol with him
you get the feeling this could turn violent. Fortunately Nick defuses the
situation because he is the kind of friend who wants everyone to just get
along.
Throughout these
bonding moments there is a dark cloud hanging over these characters since Mike,
Nick and newlywed Steven have to leave their friends and family behind to go
fight in Vietnam. An encounter with a cynical veteran during the wedding
foreshadows that this war is probably going to have severe repercussions on
them. By the time the movie reaches its second hour the three friends
understand why that veteran was not too chatty since they are now living the
horrors of war. Cimino chose to skip the training montage integral to many war
movies and instead jumps straight to a violent sequence in which Mike kills an
enemy soldier with a flamethrower.
This leads to the
three childhood friends being captured by a group of enemy soldiers who like to
force their prisoners to play Russian roulette. For those who don’t know, the
game consists of putting one bullet in the chamber of a pistol, spinning the
wheel, handing the gun to one of two players who hold the gun to their head and
pull the trigger until there is only one player left standing. When the time
comes for Mike and Nick to play Nick is having a nervous breakdown, but Mike is
laser-focused on surviving and comes up with one ballsy escape plan. It
involves putting two extra bullets in the gun. Do the math.
This sequence is
one of cinema’s most tense moments and perfectly illustrates the randomness of violence
and death. There is no way of knowing which turn would kill Nick or Mike just
like they had no way of knowing whether or not they would survive this war
intact. I believe The Deer Hunter is
one of those rare war movies that have beautifully shot sequences of war while
also being anti-war. There are never any talks of politics among these
characters, but the third hour shows that war has brought them nothing but
death and life-long trauma.
Seeing this movie
is an often times tense, sometimes scary and at times sad experience, but it is
definitely worth the three hours. The performances are all great, from
Christopher Walken to the late great John Cazale giving his last on-screen
performance. The film’s violent sequences are enjoyable in the sense that they
are an example of wonderful filmmaking, but Cimino wisely shows that violence will scar you forever.
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