The comedy Duck Soup (1933) came out over eight
decades ago, and yet its influence can still be seen in pop culture today.
Starring all four of the iconic Marx Brothers, this is the comedy that made the
ultimate “mirror scene” in which Harpo comes face to face with Groucho and
tries to imitate his every moves in order to convince Harpo he is actually
seeing his reflection and not an intruder in his bedroom. Over the years the
scene has been recreated in Bug Bunny cartoons, Mickey Mouse cartoons, and an
episode of Family Guy. A slightly
less family friendly example of the film’s influence is how Rob Zombie used
some of the characters’ names for his horror movie House of 1000 Corpses (2003) and its sequel The Devil’s Rejects (2005). Clearly you can’t accuse Mr. Zombie of
not having a sense of humour.
I have not seen House of 1000 Corpses because I don’t
see the entertainment value in a bunch of teenagers getting massacred by
rednecks, but I did enjoy the creativity and thrills of The Devil’s Rejects. In that movie the murderous rednecks are
hunted by an equally deranged sheriff who learns about the Marx Brothers
connection when he invites a film critic to his office as a consultant. That
critic risks getting shot by the sheriff when he complains Elvis Presley’s
death overshadowed Harpo’s, but he definitely knows his classic comedies. Growing
up on a steady diet of Bug Bunny, Tiny Toons, and Mickey Mouse cartoons I kept
seeing the influence of the Marx Brothers even though I didn’t know it at the
time. Two years ago I finally got to watch Duck
Soup in the classic section of Netflix, and found the Brothers’ brand of
comedy is still as funny, and even thought provoking nowadays.
Directed by Leo
McCarey, the movie is a farce in which Harpo plays Rufus T. Firefly who has
been appointed leader of the small and bankrupt nation of Freedonia. The catch
is Harpo is playing the same character he has played across vaudeville,
Broadway, and other movies, with his classic moustache, glasses, and cigar. Of
course he also has his witty lines of dialogue, such as this gem: “Married. I
can see you right now in the kitchen, bending over a hot stove. But I can’t see
the stove.” That is a wacky and offensive man to be in charge of any nation,
but as I write this Donald Trump is campaigning to be President of the United
States, so what is crazier, reality or fiction?
The movie is not
just a series of jokes; there is a semblance of a plot involving politics,
espionage, and even war. Firefly’s appointment comes at the suggestion of
wealthy Mrs. Teasdale (Margaret Dumont) who will continue to provide financial
aid to Freedonia as long as Firefly is in charge. Meanwhile the neighbouring
country of Sylvania wishes to annex Freedonia and the Sylvian ambassador
Trentino (Louis Calhern) wants to dig up dirt on Firefly and hires spies
Chicolini and Pinky (Chico and Harpo Marx) to gather information.
Fourth brother
Zeppo Marx has the role of Firefly’s secretary, but none of the Brothers manage
to do much work. Chicolini and Pinky do clown antics while selling peanuts
outside of Firefly’s window, and instead of taking care of the country’s
finances Firefly is busy courting Mrs. Teasdale for her money. Unfortunately
Trentino would like the cash as well, and the slapstick interactions between
the three of them eventually lead to war. In general war is no laughing matter,
but smart comedians can make fun of anything. You can’t laugh at soldiers being
mowed down by a machine gun, but I dare you not laugh at the Marx Brothers
using fruits as weapons against their enemy soldiers.
It is scary how
relevant this movie remains to this day, with its portrayal of greed and
stupidity in politics. You would think the world would have changed a lot more
since the 1930s, but the more things change the more things stay the same. Fortunately,
no matter how much the world changes the dialogue and comedy of the Marx
Brothers remains hilarious.
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