Skip to main content

Empire Magazine (2008) Greatest Movies List - #150: The French Connection

For a realistic look at police work in the United States nowadays you should look no further than HBO’s The Wire. In the 1970’s TV was not what it is today and movies was where directors like William Friedkin got to show the state of the never-ending war on drugs. In The French Connection (1971) Friedkin illustrates what life is for two hard working narcotics detective trying to take down a major drug operation that reaches all the way to southern France. It offers a realistic look at a very difficult investigation, but it also has one hell of a car chase.

The car chase was major reason why I decide to add The French Connection to my ever-growing collection of movies when I spotted it at HMV about ten years ago. Plus, it was one of those two for $20 deals so why not get a classic? Having grown up in the 90s my idea of a cop movie was the Lethal Weapon series in which for every interrogation there are five shootouts and as many car chases. Consequently I found Friedkin’s movie to be a bit slow upon first viewing, but I grew to appreciate it for its craftsmanship and performances. The 1975 sequel by John Frankenheimer is not as well regarded, but it is definitely worth watching if only to see the change of location from the streets of New York to sunny Marseille.

Based on a real life case, the film stars Gene Hackman in one of his best roles as Popeye Doyle, a hard living New York cop with his fair share of flaws, such unapologetic racism. Along with his partner Buddy Russo (Roy Scheider) he uncovers a drug operation run by a rich French criminal (Fernando Rey). When they discover their prey is a French citizen the two New York cops do the most American thing and label him Frog One. As a French Canadian, I find that only mildly offensive.

The thing about Frog One, real name Alain Charnier, is that he is no two-bit criminal from the streets. He knows the cops are onto him and he is good at avoiding surveillance. When Popeye starts following Charnier into the subway he keeps getting on and off the train until Popeye can’t keep track and waves at him as the train leaves the station. Even more infuriating is a sequence when Popeye is keeping an eye on the criminal mastermind from across the street while Charnier is eating at a fancy restaurant. I can't think of a better illustration of the disparity between cops and criminals than the image of Popeye trying to keep his hands warm and spitting out a horrible cup of coffee while the drug kingpin is comfortably eating an expensive meal and sipping wine.

Regardless of how much his job sucks, Popeye relentlessly chases his prey to the point that he becomes a danger for anyone in his way. When one of Charnier’s henchmen tries to take out Popeye and misses, Popeye gives chase and the killer highjacks an elevated train to make his escape. To catch up Popeye commandeers a car and tries to drive as fast as the train, at the risk of hitting other cars, drivers, and pedestrians. To give viewers an idea of how dangerous this is, there is p.o.v shot of Doyle’s car as it races through traffic and almost hit a baby stroller. It is of course not as impressive as the average car chase in the latest Fast and Furious movies, but as far as realistic and breathtaking chases go it still stands the test of time.

Crazy chase aside, The French Connection remains one of the most realistic interpretations of how police work is accomplished. Popeye and Buddy get their job done by doing hours of patient observation, listening in on the criminals through wiretaps, and getting information from informants. Since the movie is based on a decades old real life case it is no spoiler to say they eventually bust the drug ring, but anybody who watches the news will know that in the long run it did not make that much of a difference. There is still a lot of money to be made by criminals like Charnier selling illegal drugs, and they still get to live like rich men while the cops are drinking lousy coffee.


If there is a silver lining to this it’s that the cops get to be portrayed as hard working guys by Academy Award winning actors and the audience get to have a great movie based on one of their greatest case.



Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #20: Blade Runner

  Ridley Scott’s Blade Runner (1982) is one of those movies that gets more relevant with each passing decade. Set in a (now passed) future in which Los Angeles is overrun with people and pollution, the story focuses on artificial lifeforms clashing with their human creators. As the chase for these lifeforms progresses, writers Hampton Francher and David Peoples imply they may not be so different from the humans chasing them. If this sounds topical in 2024, imagine how relevant it will sound ten years from now. When writing these amateur reviews, I usually try to think back on the first time I watched the movie and what I felt at the time. This is tricky with Blade Runner considering there have been five versions of the film released since the 1980s. I believe the first version I did see on TV was the original theatrical version with the narration to guide the audience since executives thought that was needed. I eventually disagreed and purchased the Final Cut on Blu-Ray to see th...

Empire Magazine (2008) Greatest Movies List - #357: The long Goodbye

  Sometimes in a detective story the mystery is not half as fun as the detective stuck in the chaos of the story. Philip Marlow is one of those detectives. His name is synonymous with Hollywood noir and in The Long Goodbye (1973), he dives deep into a mystery involving a murder, then a suicide, then a missing person, and eventually a very violent gangster operating in sunny Los Angeles. One thing I love about this version is that this detective loves his cat enough to go buy him food at three o’clock in the morning. Now that is a dedicated pet lover. The late great director Robert Altman starts the action at a slow pace to introduce Marlowe (Eliott Gould) as he wakes up to his hungry cat. Here is a man who falls asleep in his clothes, always the same suit and tie, and is either constantly smoking or lighting a new cigarette. He is a friendly person, nice enough to pick up an item for his neighbours while going out to get cat food. It probably helps that said neighbours are five y...

Empire Magazine (2008) Greatest Movies List - #24: The Lord of the Rings: The Fellowship of the Ring

  Looking back on the first movie in Peter Jackson’s The Lord of the Rings saga, my first thought is that people really need fantasy in their lives. The Fellowship of the Ring came out in 2001, a year when to say the least the news were pretty depressing. An escape to a fantasy land filled with wizards, hobbits, elves, and dwarves engaged in a fight of good versus of evil came at just the right time. You get a certain feeling when you sit in a theater, the lights dim, and you are swept away to the beauty of Middle Earth, via New Zealand. Given the length of Jackson’s movies, it is also a fairly long escape from reality. Prior to sitting down in that theater in 2001, my knowledge of J.R.R Tolkien’s fantasy work was fair at best. I believe I had read the books at least once before and has seen the animated movie from the 1980s, but I was no Stephen Colbert. Since watching that first movie my appreciation for Tolkien’s world has grown as I own the extended cuts of every one of the...