Skip to main content

Empire Magazine Greatest Movies List - #344: The Last Wlatz


When people hear the name “Martin Scorsese” the first thing they tend to think of is gangster movies. Making gems such as “Mean Streets,” “Goodfellas,” “Casino” and “The Departed” will do that. Apart from the gangster element, all of these movies have another thing in common: kick-ass soundtracks. Having lived through the 1960s, Scorsese knows good music, which he has shown in documentaries such as “Shine a Light,” “The Blues” and “The Last Waltz.” That last one was shot in 1978 and features the final concert of The Band who were accompanied on stage by performers such as Eric Clapton, Bob Dylan, Neil Young and Ringo Starr. Here is a movie for lovers of rock history and great filmmaking.

The original plan was for me to watch this great rock doc during one of the showings of the film club in the university of Sherbrooke in 2010. It would have been perfect since it was supposed to be the last evening. We would watch “The Last Waltz” before waltzing out of university and going our separate ways, but for some reason the guy in charge couldn’t get his hands on a copy so we watched “Ed Wood” instead. Also a good movie, but it’s a shame we couldn’t watch “The Last Waltz” because as the opening title card says, “This movie should be played loud!” Instead I ended up watching with the volume on medium on the Movie Network on a Friday night. Not as memorable, but definitely worth watching.

As the movie takes place in 1978 and I was born in 1986 I was not familiar with The Band, but I am familiar with most of the people who were on stage with them for their last performance together at the Winterland Ballroom in San Francisco. The complete list of artists who were on stage with them that night includes: Muddy Waters, Ringo Starr, Paul Butterfield, Neil Young, Van Morrison, Eric Clapton, Joni Mitchell, Emmylou Harris, Dr. John, The Staple Singers and Bob Dylan. Now, wouldn’t you like a time machine and get tickets for that?

But then again, that is why we have recording technology: to preserve special moments. When the person doing the recording is Scorsese, you know you will have a heck of a good show on screen. This being a documentary, there are segments where Scorsese interviews members of The Band to discuss life on the road and why they have decided to call it quits after 16 years.

There are interesting insights, such as how Bob Dylan was responsible for their rather generic name. There is also a certain sense of dread in the interviews, as the group mentions the dangers of being on the road for such a long time. They recall the lives it has claimed: Janis Joplin, Elvis Presley and Jimi Hendrix.

Scorsese and The Band’s songwriter and occasional vocalist Robbie Robertson collaborated musically on many other projects, such as “Mean Streets,” “Casino,” Gangs of New York” and “The Departed.” Most notably, “The Departed” features a 1990 version of Pink Floyd’s “Comfortably Numb” performed by Van Morrison and The Band.

I did not get to see “The Last Waltz” on the big screen, but I did see “Shine a Light” in cinema. Also shot by Scorsese it is similar in format as he records a concert by The Rolling Stones at the Beacon Theatre in New York City in 2006. Whereas The Band chose to stop after 16 years, the Stones have been going at it for 50 years.

Although it clearly marks the end of an era in rock’n’roll history, fans of great music and great concert films should see “The Last Waltz” even if they have never heard of The Band. They should then watch “Shine a Light” to compare how one great band chose to stop, and one has been touring on and off for half a century. Bonus: the man who gave the world “Casino” made both of them.


Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #147: Notorious

Alfred Hitchcock’s Notorious (1946) has many of the master director’s signature elements: spies, lies, a handsome leading man, a domineering mother, and of course a MacGuffin. As it is set after World War II the villains are logically former Nazis, but the plot is so tense in many scenes that it remains an effective thriller to this day. It also bears a huge influence on John Woo’s Mission Impossible 2 , which retains plot elements and similar dialogue, but of course has more explosions than all of Hitchcock’s films put together. Notorious is so well-made it can be studies in film classes, which is exactly what I did while taking a course on Hollywood Cinema 1930-1960 during the summer of 2009 at the University of British Columbia. As this is Hitchcock we are talking about here, there are subtler things to analyze than explosions in Notorious , no offense to the skills of Mr. John Woo. Famously there is a kissing scene between stars Cary Grant and Ingrid Bergman that seemingly las...

Empire Magazine (2008) Greatest Movies List - #91: Return of the Jedi

If you want someone to give you death stares, tell a die-hard Star Wars fan the original trilogy is not perfect. I am however going to take a risk and write that if there is one major flaw with Return of the Jedi (1983) is a lack of imagination when it comes to the central plot. After the good guys blow up the Death Star in the first movie, the bad guys are almost done building a brand new one, which of course needs to be destroyed again in more or less the same way. Richard Marquand may be directing this time, but it was still George Lucas writing. Plot hole aside, as a kid you can’t help but have fun as the good guys join forces with a tribe of living teddy bears to get the job done. Like many people in their early 30s, I was introduced to the first Star Wars trilogy by my parents who had recorded the movies, commercials included, when they were showing one night on TV. Upon first viewing, a few things stick out in the mind of a young boy watching Return of the Jedi such as:...

Empire Magazine (2008) Greatest Movies List - #85: Blue Velvet

Exactly how do you describe a David Lynch movie? He is one of the few directors whose style is so distinctive that his last name has become an adjective. According to Urban Dictionary, the definition of Lynchian is: “having the same balance between the macabre and the mundane found in the works of filmmaker David Lynch.” To see a prime example of that adjective film lovers need look no further than Lynch’s Blue Velvet (1986), which does indeed begin in the mundane before slowly sinking in macabre violence. My first introduction to the world of David Lynch was through his ground breaking, but unfortunately interrupted, early 1990s TV series Twin Peaks . This was one of the first television shows to grab viewers with a series-long mystery: who killed Laura Palmer? A mix of soap opera, police procedural, and the supernatural, it is a unique show that showed the darkness hidden in suburbia and remains influential to this day. Featuring Kyle MacLachlan as an FBI investigator with a l...