Skip to main content

Empire List # 430: Big Trouble in Little China


Among the great partnerships between actors and directors you can count Robert De Niro and Martin Scorsese, John Wayne and John Ford, and my personal favourite, Kurt Russell and John Carpenter. Together they made an Elvis Pressley biography, a horror movie (“The Thing”), and a post-apocalyptic action movie (“Escape from New York”). With “Big Trouble in Little China” (1986) they tried a mash-up of three genres: comedy, martial arts, and action. The result is a blend of Chinese legends, monsters, kung fu fighting, and Kurt Russell trading quips with Kim Cattrall in the San Francisco underworld. Man, movies were crazy in the 80s.

I saw this particular genre mix back in 2009 while spending the summer in Vancouver as a summer student. Wonderful beaches, but since I only had three courses and didn’t know a lot of people in town I had a lot of free evenings. Always count on iTunes to have a large variety of titles at low prices if you want some home entertainment. Rather appropriate, since the movie was a cult hit on video. It’s the second chance medium for movies like that. First they burn at the box-office, then they’re brought back to life on home video and eventually someone is making a festival based on that one movie. Although given the crazy stuff that happen in Carpenter films, I don’t expect to see a “Big Trouble…” festival anytime soon.

The plot is so bizarre that the best way to approach it is through the eyes of Kurt Russell’s character. He plays Jack Burton, a fast-talking trucker who rolls into San Francisco’s Chinatown looking for a little fun with his friend Wang Chi (Dennis Dun). They go to the airport to pick up Wang’s fiancée Mio Yin (Suzee Pai) only for her to be kidnapped by a Chinese street gang. Jack and Wang chase them to Chinatown and are caught up in a fight between two ancient feuding societies who have mystical powers.

Their fight brings face-to-face with Lo Pan (James Hong) a 2000 year sorcerer who intends to use Mio Yin to…actually, I am not a 100% sure what he intends to do with her. I lost track of the plot when the guys who look Mortal Kombat characters showed up in the streets shooting lighting out of their eyes. Suffice it to say that Lo Pan is the villain and he has evil intentions towards the damsel in distress. Jack Burton will help his Chinese friends take him down because he has a hero complex and also because they stole his truck. What’s a hero without his ride?

Also, what is a hero without a leading lady? Kim Cattrall plays lawyer Gracie Law (not the most subtle name for a lawyer) who helps the citizens of Chinatown against the local crime lords. Unlike Jack, she actually knows a thing or two about the local culture so she joins in on the adventure. She is the brain between the two of them whereas Jack just likes to shoot, throw knives, punch and ask questions later.

What stands out about Russell’s character is the fact the he isn’t really the hero. If anything, he’s the sidekick. He’s just a truck driver, not some invincible special ops warrior on leave from a war. When he tries to fire a gun half the time he misses. Once he even shoots the ceiling and is knocked out by falling debris. Dennis Dun and the rest of the mostly Asian cast are all martial arts fighters who could probably beat him to a pulp if they had to.

Yet Kurt Russell is one of the reasons why the movie works. Well it didn’t work, it bombed at the box-office when it first came out, but like most of Carpenter’s movies it found new life on video. I guess over time people rediscovered this crazy movie featuring a thousand-year-old villain, exploding henchmen, and Kurt Russell firing one-liners like Bruce Campbell in “Evil Dead II.” Sometimes a concept is so crazy it can’t work on the big screen, but over time you can enjoy with a bag of chips and an ice-cold beer. It doesn’t hurt to be buzzed to have a good time at the movies.

The plot may be ludicrous, the special effects are admittedly sub-par by today’s standards, by “Big Trouble in Little China” survives by being a truck-load of fun with Kurt Russell at the wheel and John Carpenter giving him directions. 



Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #147: Notorious

Alfred Hitchcock’s Notorious (1946) has many of the master director’s signature elements: spies, lies, a handsome leading man, a domineering mother, and of course a MacGuffin. As it is set after World War II the villains are logically former Nazis, but the plot is so tense in many scenes that it remains an effective thriller to this day. It also bears a huge influence on John Woo’s Mission Impossible 2 , which retains plot elements and similar dialogue, but of course has more explosions than all of Hitchcock’s films put together. Notorious is so well-made it can be studies in film classes, which is exactly what I did while taking a course on Hollywood Cinema 1930-1960 during the summer of 2009 at the University of British Columbia. As this is Hitchcock we are talking about here, there are subtler things to analyze than explosions in Notorious , no offense to the skills of Mr. John Woo. Famously there is a kissing scene between stars Cary Grant and Ingrid Bergman that seemingly las...

Empire Magazine (2008) Greatest Movies List - #91: Return of the Jedi

If you want someone to give you death stares, tell a die-hard Star Wars fan the original trilogy is not perfect. I am however going to take a risk and write that if there is one major flaw with Return of the Jedi (1983) is a lack of imagination when it comes to the central plot. After the good guys blow up the Death Star in the first movie, the bad guys are almost done building a brand new one, which of course needs to be destroyed again in more or less the same way. Richard Marquand may be directing this time, but it was still George Lucas writing. Plot hole aside, as a kid you can’t help but have fun as the good guys join forces with a tribe of living teddy bears to get the job done. Like many people in their early 30s, I was introduced to the first Star Wars trilogy by my parents who had recorded the movies, commercials included, when they were showing one night on TV. Upon first viewing, a few things stick out in the mind of a young boy watching Return of the Jedi such as:...

Empire Magazine (2008) Greatest Movies List - #85: Blue Velvet

Exactly how do you describe a David Lynch movie? He is one of the few directors whose style is so distinctive that his last name has become an adjective. According to Urban Dictionary, the definition of Lynchian is: “having the same balance between the macabre and the mundane found in the works of filmmaker David Lynch.” To see a prime example of that adjective film lovers need look no further than Lynch’s Blue Velvet (1986), which does indeed begin in the mundane before slowly sinking in macabre violence. My first introduction to the world of David Lynch was through his ground breaking, but unfortunately interrupted, early 1990s TV series Twin Peaks . This was one of the first television shows to grab viewers with a series-long mystery: who killed Laura Palmer? A mix of soap opera, police procedural, and the supernatural, it is a unique show that showed the darkness hidden in suburbia and remains influential to this day. Featuring Kyle MacLachlan as an FBI investigator with a l...