Skip to main content

Empire List #482: Scream

In the late 1990s the American movie machine was producing movies aimed at the MTV generation starring the latest crop of young actors in their 20s who were playing characters in their late teens. Such movies included “I Know What You Did Last Summer,” “American Pie,” and “Scream.” I missed most of these movies because at the time I was either too young, too shy to have any friends with whom I could go out with, or I just thought they didn’t look good enough. Back then I was living in South America and I was a long way from the United-States so there was somewhat of a disconnect between the MTV generation and I.

Still, when you’re spending your summer at your mom’s place while waiting for your next college semester and you’re saving every dollar you have just like I was last summer in Quebec City, if Wes Craven’s “Scream” is playing on TV, you may as well enjoy it while you have access to a movie channel. Plus it doesn’t hurt that the movie is actually quite good at what it tries to be.

I didn’t know much about the franchise except that it was supposed to be a parody/homage to classic slasher movies with characters that are expert in horror films and are almost winking at the camera when something bad happens as though they were in on the joke. I found it strange that there should be a trilogy of these movies since it makes little sense for there to be two copycats of the same killer (three if you count the upcoming “Scream 4”). So it stands to reason that the very first movie in the franchise would be the best one. I would have to say it is.

The movie begins with a teenager (Drew Barrymore) answering the telephone and listening to a creepy voice asking her trivia questions about slasher films. An incorrect response incurs the wrath of the killer who wears a white ghost mask and a black cloak. The fact that Barrymore the movie star is killed so early on in the film is reminiscent of another horror classic, “Psycho” which also features a knife-wielding maniac.

There are plenty of references like that peppered throughout the film. One character’s last name is Loomis, as in Dr. Loomis from the “Halloween” franchise, Skeet Ulrich is made to look like Johnny Depp whose debut film was “A Nightmare on Elm Street,” Linda Blair from “The Exorcist” has a cameo as a reporter, and Wes Craven the director has his own cameo as a janitor that looks like Freddy Krueger. This is all good fun for horror fans, but what about the uninitiated? The good news is that “Scream” is also a good mystery film.

Who is the killer? Why is he/she doing this? Is it Randy (Jamie Kennedy) the video store clerk who knows so much about these movies? Could it be reporter Gale Weathers (Courtney Cox) who hopes to make her career with this story? Why not put your money on Deputy Dwight “Dewey” Riley (David Arquette)? When the killer’s identity is revealed it reminded of a trick not from a slasher franchise or any horror movie, but actually from an Agatha Christie book. (Hint: just because a suspect has a rock-hard alibi, it doesn’t mean said suspect should be off the list.)

Overall, “Scream” makes for a good time on a dark knight, preferably around Halloween. When the killer strike there is appropriate tension, when the violence becomes ridiculous there is humour, and the main character Sidney Prescott follows the tradition set by John Carpenter of a strong female heroine who becomes a survivor. Maybe it would have been more fun if I had seen in a packed room back in the late 1990s and watched each of the sequels on the big screen, but sometimes its actually scarier if you’re alone. As for the sequels, I believe that it is not the hero who kills the murderer in a horror franchise, but an excess of sequels. Do people honestly think Freddy Krueger was still scary after the ninth sequel?

Comments

Popular posts from this blog

Empire Magazine (2008) Greatest Movies List - #85: Blue Velvet

Exactly how do you describe a David Lynch movie? He is one of the few directors whose style is so distinctive that his last name has become an adjective. According to Urban Dictionary, the definition of Lynchian is: “having the same balance between the macabre and the mundane found in the works of filmmaker David Lynch.” To see a prime example of that adjective film lovers need look no further than Lynch’s Blue Velvet (1986), which does indeed begin in the mundane before slowly sinking in macabre violence. My first introduction to the world of David Lynch was through his ground breaking, but unfortunately interrupted, early 1990s TV series Twin Peaks . This was one of the first television shows to grab viewers with a series-long mystery: who killed Laura Palmer? A mix of soap opera, police procedural, and the supernatural, it is a unique show that showed the darkness hidden in suburbia and remains influential to this day. Featuring Kyle MacLachlan as an FBI investigator with a l...

Empire Magazine (2008) Greatest Movies List - #102: The Hustler

Robert Rossen’s The Hustler (1961) is proof that any sport can be used for good cinematic drama even if that sport is pool. Although this is not a game that involves a massive sport arena and bloody boxing gloves, things can get dramatically interesting if the monetary stakes are high, and visually arresting if the filmmakers shoot from the right angle. It also helps a lot if the man putting his money on the table is played by a young Paul Newman in a career-breaking role. Prior to watching the film I had a vague idea of the meaning of the word “hustling” and a rather passive interest in the game of pool. It’s a fun game to play if you are having a couple of nachos and chicken wings on a Friday evening with friends, but I didn’t see it as a spectator sport. Watching The Hustler in the classics section of Netflix two years ago was a bit of an education since it shows the sport as a way of life for some people, and a huge source of revenue for big time gamblers. Newman star as...

Empire Magazine (2008) Greatest Movies List - #147: Notorious

Alfred Hitchcock’s Notorious (1946) has many of the master director’s signature elements: spies, lies, a handsome leading man, a domineering mother, and of course a MacGuffin. As it is set after World War II the villains are logically former Nazis, but the plot is so tense in many scenes that it remains an effective thriller to this day. It also bears a huge influence on John Woo’s Mission Impossible 2 , which retains plot elements and similar dialogue, but of course has more explosions than all of Hitchcock’s films put together. Notorious is so well-made it can be studies in film classes, which is exactly what I did while taking a course on Hollywood Cinema 1930-1960 during the summer of 2009 at the University of British Columbia. As this is Hitchcock we are talking about here, there are subtler things to analyze than explosions in Notorious , no offense to the skills of Mr. John Woo. Famously there is a kissing scene between stars Cary Grant and Ingrid Bergman that seemingly las...